A great example of a delivery class. (lethal weapons, very human traffickers)
The dilemma at the beginning was great, from sleeping, noticing something was wrong, the stable was burned - the other party gave a timer for 1 week, robbing things from the fire (not wealthy through attitude), and reacting to the wife afterwards (liar to pay back - several times thing) brings out the railroad company and his home (kind of like the pursuer also and burst silent), his legs and past war pensions - an explosion of information, love it! And it's a double dilemma, the protagonist's money dilemma and dignity. (Each main character deserves a double)
Then there is the action of the villain (there is no intersection at this time), but it can be contrasted with the downfall of the protagonist, and he is painting, and contrasting with the men who are all about money, portraying the character nb. And at this time, Wade has a contradiction in the identity of the characters, the robber and the artist, which one does he choose? It's a bit want and need, but it's not particularly contradictory, and it's contradictory under special circumstances.
I have always been opposed to portraying the action of the villain. Although it can interrupt the flow of the narrative, the action of the villain also takes into account the disturbance of the protagonist. Although there is a failure in the middle, I do not know that the herd of cattle is the protagonist. If the son said, "Someone drove our cattle, let's kill them!" (the son likes robbery novels, so he is violent and rebellious) and then the protagonist thinks it is the sb again, but he goes and finds that he is robbing. . But this can't show that Wade loves to draw (and it can, that is, the first half of the robbery is not shown, but the first half of the robbery is quite boring...) Only the drawing is displayed, and the remaining first half is composed of The protagonist is watching, and it happens, so that the robbery can be shown without spoiling the robbery. In this way, the involvement of the protagonist has a sense of crisis, not because of curiosity, but because of his own cattle! But what is very powerful is the real involvement and being robbed.
And there is a follow-up to this incident. Wade's strategy in the town is very powerful (although it should not be written in advance, it should still be watched by the protagonist instead of actively showing it. It is best for the protagonist to come to the town to ask the sheriff to talk about money. At the time, I found that the sheriff had been transferred, and the protagonist noticed something was wrong, and then took measures. This is more realistic about the protagonist's ability.), I thought it was going to be a second robbery, and I have a leg with the proprietress very much like the tiger and leopard. And the painting appears for the second time, embodying Wade's characters and romance, and then the second interweaving of the lines, the protagonist grabs Wade. Open the delivery line and bind the delivery to the protagonist's predicament. (It's about equal to Tang Tan's 500w, but it's better than that nb, because of the binding predicament - and it can lead to a choice, if the later task party hangs up, whether to continue.) And come up, Wade's subordinates will show their strength, amazing.
So far the first step is over, go to the second step! yeah, that's the first step to bring the disturbance and the door into communication, I really like it. start step yyds
wow the first step is not over yet! I thought it was a quick rhyme, but I didn't expect to have a small gathering at the main character's house! This part really elevates the initial steps. 1 A small strategy for escorting. 2. The nervousness when eating, and it reflects Wade's flirting skills and being a person (religious). He is interested in the protagonist and has charm. At this time, it would be good to draw another picture, but the assole took the painting, but the protagonist helped him to come back or something. 3 The protagonist can still make choices at this time, the dilemma is bound to the task, and when he makes a choice, he breaks out, about his own plight and the plight of dignity (think about it, what is this outbreak? Want need? Or? Are all want? Or is dignity? need? I always feel that the protagonist has nothing to correct. It seems that dignity is need, but it does not conflict with want, so in the end he dies, but getting dignity is half sweet)
Act II
escort
Great start! Sleeping on the bonfire is very feel. Talking about the past (spying on characters), talking about values (both actually envy each other secretly!) But denying envy leads to conflict, and then Assole's funny and being killed show that Wade is powerful. The topic of this bonfire chat is really worth learning.
The villain action burns the car and knows the route
Had to cross Indian Canyon (point to)
(On the way) Talking about the past a Why kill Tucker, thoughts on Tucker and assole, guiding principles of life b Pinkerton, read only the bible, looks like a good guy but kills Indians Is a symbol of the times nbnb) Killing due to conflict (revealing Wade's past vicious language) (so rich wait for me on the way!) Wade prevailed, but was suddenly overwhelmed by the rebellious son system (Absurd Soldier)
Chapter 1 - Internal
(on the way 2)
Campfire, I feel that I will be attacked in regret! Dodge City (another part of the character's past, which may indicate why he became a robber, or may have a background in the era), the protagonist in the middle kept mocking him for killing people, which is not bad, and it feels a bit offensive. Going to the toilet and talking about my son (on the road) encounters Indians - kill Indians and run away
This is roughly equivalent to Wade saving the protagonist, but he has to run away - then if the protagonist doesn't save him once, he can't be an equal friend. (I don't know if it's because Wade is a strong man, or because of hostile relations or something. Maybe it's because of a strong man, you won't get respect if you don't save him, etc.)
Sure enough, Wade was caught after running away (this specifically reflects the background of the Chinese laborers), (also because of the past), the protagonist rescued him and joined forces to defeat the enemy (become a friend who does not speak out).
(It seems that something related to the past is a very good topic! Values blabla)
Chapter 2 – Foreign Enemies
End of Act Two
enter the decisive battle
The state of the showdown was great. Atmosphere, feeling, looking for help. The first choice, you 200 yuan, I will give you 1000 to let me go (actually there is a bit of Wade here) refuse
Then the helper came, and it was awesome. The enemy is coming, and the line starts at the beginning, and then the enemy rises up and expands the advantage. The helper gave up and was killed. The best part is here: the task person gives up, and the 200 yuan tells you not to go. This is more powerful than insisting on having no money, because I will also go if I refuse the money. This choice leads directly to want and need, I want money, but I need dignity. Solved want to achieve need! ! It is not that there is no money, but that the original purpose was rejected! !
At this point, Wade has been influenced, and there is even a little bit of the last feeling of Paknotan in the spider chapter of the hunter.
——
While waiting, Wade told his innermost story, which was related to the Bible and his mother.
Duel (actually Wade is already helping me here)
Wade didn't want him to die, he told secrets, was never a hero (used to be a hero) - even more helpful
Came to the station, speak out 2 not stubborn, because the youngest son. "Why do I say this" "I don't know, maybe I just want you to know that I'm not stubborn"
Train Arrival Showdown
Wade's choice, the first time I saw it, I thought it was abrupt, but the second time I saw it, I found that it was a stroke of genius. It can be seen from the three paintings he has painted, first of all his essence...then he...some say he is cold-blooded. Some people think he is a good man.
At this time, his choice is to be a good person or a bad person. In fact, thinking about it carefully, he has always been making choices. I want to maintain a good heart. Spare Pinkerton at the beginning, don't kill the protagonist, return the horse, the Bible (compared to the massacre of Indian Pinkerton), paint, women.
——
self redemption
After reading sen's film review, I found that I have a newer understanding of Wade.
Not only the father's self-salvation, but also Wade's self-salvation.
Wade's three paintings, the bird - the wandering female boss - the longing mother and the last protagonist - the ideal father, afraid, thin, but trying to support the family.
The rest is a bit complicated. Anyway, it's Sen's film review. I'll see more in the future.
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