Emotional and Intentionality

Maeve 2022-04-21 09:01:20

David never had a choice, he just followed the initial set execution procedure. The robot goes to extremes in order to execute the program, and "love" is symbolized in its body. He believes that getting the company of Monica means getting "love". It is difficult for him to understand the control of emotions, let alone the progress and cessation of thinking. The symbolized love and real emotions and consciousness need to be clarified.

Emotions have a characteristic that presupposes the existence of a disposition that is not itself an emotion, and an emotion requires the existence of two dispositions, or a disposition and a de facto obstacle (Ryle, 1988). David's desire for maternal love cannot be called an inclination, but a procedural necessity; much less a de facto impediment, since it is difficult to articulate David's motives at the beginning of his search for the Blue Fairy.

In addition, emotions have special intentionality, one of which is self-transcendence. In the emotional process, the object appears in consciousness, and the subject "endows him with a new quality, which constitutes him in a new field. This quality is in a sense not an attribute of the object." It is inseparable from the elements of object, representation, cognition, affective structure, and activities that endow the object with affective meaning (Sartre, 1988). Emotions are imprinted in David's body as a program, and David only has artificially synthesized programs and hard drives, but he cannot master a series of abilities of thinking, cognition and immediate functions. Its ultimate task is to execute it, without touching the series of elements mentioned above.

At the beginning of David's creation, emotions were a pre-set calculation state for him, but the complexity of emotions was not handled and understood by people in the movie. Emotion is a “suitcase-like” word that we all use to mask the complexity of different things on a large scale, the interconnectedness of which we do not yet understand (Minsky, 2016).

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Extended Reading
  • Theodore 2022-03-25 09:01:05

    Mick LaSalle: By the end AI exhibits all its creators' bad traits and none of the good. So we end up with the structureless, meandering, slow-motion endlessness of Kubrick combined with the fuzzy, cuddly mindlessness of Spielberg.

  • Destany 2022-04-24 07:01:02

    The art is really good, several scenes are unforgettable, the children and Jude Law acted really well, and Spielberg is really a pure commercial director who has no understanding or control over emotions. This ending is to tire people to death... why bother twisting it into a fairy tale.

A.I. Artificial Intelligence quotes

  • [Joe joins David on his journey to finding the Blue Fairy and why]

    Gigolo Joe: Are you in trouble? Have you run away from someone?

    David: My mommy told me to run away.

    Gigolo Joe: Why did she say that?

    David: I guess... because Henry didn't like me.

    Gigolo Joe: Why was that?

    David: Martin came home.

    Gigolo Joe: And who is he?

    David: Martin is Mommy and Henry's real son. After I find the Blue Fairy, then I can go home. Mommy will love a real boy. The Blue Fairy will make me into one.

  • [Joe tries to convince a group of teenagers to give him and David a lift to Rogue City]

    Gigolo Joe: There are girls your age who are just like me. We are the guiltless pleasures of the lonely human being. You're not gonna get us pregnant or have us to supper with Mommy and Daddy. We work under you, we work on you and we work for you. Man made us better at what we do than was ever humanly possible.

    Gigolo Joe: [Joe turns on a digital image of an attractive lover robot dancing] If you could manage us a lift to Rouge City, all this... and much, much more... can be yours.

    Teen in Van: [the teen quickly nods] Get in.