The only highlight of the whole film is the ending. But even so, I don't have much feeling for the emotional sublimation at the end. In the early stage of the movie, there was absolutely insufficient pavement for the relationship between David and his mother, which made the ending a bit forcibly touching. The middle and late stages of the film are very fascinating, both magical and abstract. I don’t like the character of Joe the prostitute very much. I can understand that the director wants him to play a light-hearted, humorous and atmosphere-driven character, but using meat jokes and matters of men and women as modifiers will only seem out of place in this film. Think about it, the little boy is seriously thinking about how to find the blue fairy clip, which I personally understand is an important point in the boy's mental journey, and it is a point that cannot be ignored whether the film can smoothly transition to the later stage, while the male prostitute Joe is in this When did you tell the little boy about an affair city? ? Also describe the sound of calling the bed? ? ? The atmosphere is horribly damaged. All right. Even if other people set really garbage, but at least the characters are plump. But in this movie, the intersection between the main characters is very small, and it is difficult to highlight the key points. In general, I think the director's ambition is very big. He wants to use sci-fi themes to express real problems, and by the way, bring some warmth and commercialization, but it is obvious that this card is playing well. Extremely messy.
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