Life-and-death sniping and the battlefield of red flames all reflect the fact that in order to maintain the status and ambitions of the ruling class under the deep internal and external crises, the imperialists have intrigued, killed the donkeys, and cooked the cunning rabbits to death. Is it a movie in which the spy agency and the army personnel are desperate, forced to Liangshan, awakened from the silent enduring and rebelled?
Is there a more ideological film than this kind of pushing up to Liangshan, rising from personal misfortune to the universality of class struggle, revealing that the people all over the world can only seize the truth by uniting against imperialism?
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