The theme is that Lin Chong is forced to go to Liangshan

Janick 2022-04-19 09:01:25

Life-and-death sniping and the battlefield of red flames all reflect the fact that in order to maintain the status and ambitions of the ruling class under the deep internal and external crises, the imperialists have intrigued, killed the donkeys, and cooked the cunning rabbits to death. Is it a movie in which the spy agency and the army personnel are desperate, forced to Liangshan, awakened from the silent enduring and rebelled?
Is there a more ideological film than this kind of pushing up to Liangshan, rising from personal misfortune to the universality of class struggle, revealing that the people all over the world can only seize the truth by uniting against imperialism?

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Extended Reading

RED quotes

  • Alexander Dunning: Are you gonna let me talk to them? I can negotiate something.

    Marvin Boggs: Thanks, when we want your help, we'll get out the drain cleaner.

    Alexander Dunning: Listen, Plastic Man, those bastards out there probably have orders to kill me, too.

    Joe Matheson: I hope so.

    Alexander Dunning: Why? 'Cause I'm the bad guy? I'm scum?

    Marvin Boggs: Can I just shoot him now?

    Alexander Dunning: No. You don't have people killed. I have people killed, I'm the bad guy. Remember?

    Joe Matheson: [knocks out Dunning with a punch to the jaw. shrugs] Not worth a bullet.

  • Marvin Boggs: [preparing to torture Dunning] You want nuts? Nipples?

    [holds up pliers, vise-grips]

    Marvin Boggs: Potty trainer?

    [and an auger spike]