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Terry 2022-04-20 09:01:16

Although it is still the main theme, especially the contrast between the United States and the Soviet Union, it seems very deliberate. However, there are also questions about the US government, such as the order that soldiers would rather kill themselves than be prisoners. But it is undeniable that the movie tells a story that is not easy to tell, especially a movie with so many dialogues and a long foreshadowing in the early stage.

The advantage is to increase the credibility of the characters through small details and actions, balancing the vagueness of ideology. The humor that pops up from time to time in the dialogue will make everyone in the movie theater smile. In particular, Abel's calm sentence "will that help?" became his own mark. Rylance reminds me of Waltz in Inglourious Basterds, with little dialogue but a powerful aura, which is very attractive. The calm and extremely low-key expression and tone seem to be saying, let you see what a real agent is. Every time he speaks, the camera gradually moves up until it is close to his eyes, as if the audience is strongly curious about this mysterious figure, but we get nothing except the unsolvable mystery. Best Supporting Actor at the Oscars has a lot of drama.

There are obvious contradictions and conflicts in the whole film, but there is no special so-called climax, but there are still some shocking scenes, watching those people jumping over the Berlin Wall, and the last few seconds of farewell. Not only a farewell, but also a life and death. The freedom he could last lasted only long enough for him to take a few short steps from the border to the car. This step is heaven, the next step may be hell. Donovan's mood at that time may have been extremely complicated. Whether it saved him or harmed him could only be left to fate. The portrayal of Donovan is a bit sparse, although there are performances and hesitations, but it is very brief and not very deep, as if he really is not afraid of the worst.

It is hard to ignore the coquettish movement of the camera and the beautiful composition. The elements of old-fashioned spy films such as men in black, umbrellas, hats, coats, and cars make the whole film very retro. The whole tone is very cold, and the gloomy New York or the snowy Berlin sets off a good atmosphere. It's getting better and better when you watch it, and the connection is smooth. These are what Spielberg is best at, so I don't need to say more.

Tucao: Donovan is going to make trouble with that woman on the subway. It's better to change his admiration for the hero to a child or an old lady~~

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Extended Reading

Bridge of Spies quotes

  • Bates: According to your description, "He hit my five guys."

    James Donovan: The guy insured by my client had one accident. One, one, one. Losing control of the car and hitting five motorcyclists.

    Bates: From *their* point of view, five things happened.

    James Donovan: Well, look, Bob. May I? Bob?

    Bates: "Jim."

    James Donovan: If I go bowling and I throw a strike, one thing happened. 10 things didn't happen.

    Bates: Jim, my guys aren't bowling pins, as much as your guy may have treated them as such.

    James Donovan: Let me finish. If your house is insured for $100,000 and a tornado carries it away, it carried away one house. It didn't pick up every stick of furniture and destroy it in a separate incident. If that is what you're saying, well then there is never any limit to our liability, and that is the end of the insurance business. And then, Bob, nobody is safe.

  • Agent Williams: [to uniformed pilots] Okay, drivers, here's the deal. You've been selected for a mission, which you are not to discuss with anyone outside of this room. No one. I don't care who you trust. Wife, mother, sweetheart - the good Lord when you pray at night. You don't tell any of them anything of what I'm about to tell you.

    Agent Williams: Each of you drivers has met certain qualifications. High level security clearance. Exceptional pilot ratings in excess of the required hours, flight time in a single-seat aircraft. We are engaged in a war. This war does not, for the moment, involve men-at-arms. It involves information. You will be collecting information. You will be gathering intelligence about the enemy.

    Agent Williams: The intelligence you gather could give us the upper hand in a full thermonuclear exchange with the Soviet Union. Or it could prevent one. For public purposes, as far as your wife or mother or sweetheart or the good Lord above, your mission does not exist. If it does not exist, *you* do not exist. You cannot be shot down. You cannot be captured.

    Agent Williams: [stands up to leave] You work for the CIA now.