looks too heavy

Jewel 2021-10-20 19:02:26

4.5; The long and flowing shots shuttle between several groups of characters, edited in parallel to dazzling, and build up the richness of multi-line narratives, and the scheduling skills are really powerful. Put a lot of effort into the text of the play, intertwined and intertwined, and co-produce a common theme of love and pain, loss and belief, desire and relief; the past has never been far away, and we have never forgotten that the layers wrapped around the wound How does the scab pack us into a masked hollow person? How does that nightmare that cannot be told to others fade away with sweat and tears? We cried and laughed so loudly and wantonly, we really thought that a miracle could happen ——"We may be able to walk out of the past, but the past will not let us go."

Robert 2021-10-20 19:02:26

[B+] Once again, completely subdued by PTA’s terrifying image control: a long-shot follow-up that is more "destroyed" than "Boogie Nights"; a fuller and longer-lasting single melody soundtrack; multiple extremely exciting six Parallel editing; and the superb training skills for actors (especially Tom, should be the best performance of his career). Even though I know that PTA is still hilarious, I can't help but go crazy with him. Multi-line life, intertwined and scattered; craftsmanship, morbid preaching; character separation, emotional fracture; frog rain, contemporary miracle; incredible, but ordinary as usual. After watching this film, I think there is another director who can make "A Hundred Years of Solitude".