noble soul

Hazle 2022-04-20 09:01:12

The film is a classic multi-linear narrative and a classic interlaced plot of fate. A group of seemingly unrelated characters are closely connected by fate. The storyline is huge, the plot is very tense, and the sound effects editing are also perfect, making the film look good. The climax is continuous, and the performances of the actors also amaze me, especially Tom Cruise; the film uses a very grotesque style to tell many stories that seem to be true but do not seem to be true, with a lot of chance and Dramatic, sometimes jumping out of the third perspective to interact with the audience, the film is actually a combination of bird and crash - using a multi-linear narrative to tell multiple absurd stories, highlighting the theme of confession and forgiveness.

"The flower language of magnolia is the noble soul", magnolia symbolizes nobility, whiteness and spotlessness, and the protagonists in the film are just people who have done wrong and have flaws. From this perspective, the film is satirizing human nature Dirty, but in fact, the protagonists in the film are struggling with their own past and finally completed their self-redemption. It can be seen that the director is conveying a theme: confession and forgiveness - no matter what our past is, We should all face up to our mistakes and face our true side bravely. No matter where we reach our destiny, from this moment onwards, we should re-understand ourselves and correct our mistakes, and we will have a noble soul.

I love the forgiveness at the end of the film - "I'm not going to let you go, I'm not going to let you say those things, how stupid you turned out to be, etc... I'm not going to put up with you doing that, do you think stay with me, stay with me"

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Extended Reading
  • Deontae 2022-03-23 09:01:18

    "Magnolia" is essentially a miracle drama, first of all crimes and confession, then the severity of life, accident, intolerability, etc., and after the terrible rain of frogs at the end, this is really Is there a world without God? We are "forced" to choose between Kierkegaard and Schopenhauer. Editing and Soundbridge do not imply a kind of synchronicity, but look for similarities between characters. The real colorful passage is that when all the characters are facing a negative event that is unbearable for them, the squeeze space suddenly de-terminates, but the montage takes the film to another stagnant and squeeze space, different The event and the state of deja vu. However, the miniaturization of the individual is not the victory of the grand narrative. While the diversity of the world is established, it is accompanied by the return of suffering and introversion. Just like "Leap Of Faith", the audience first sees the multi-line narrative, which is sensual and sensual. The sublime TV world, then, they will find that all the beginning and ending have been juxtaposed, and we have no choice.

  • Theodore 2021-10-20 19:02:26

    In the middle, I drank various liquids, tea, rum, home-brewed medicinal liquor, the second child, and joy.

Magnolia quotes

  • Jim Kurring: Now calm yourself down.

    Marcie: [shouts] I am calm!

    Jim Kurring: No you are not calm. You're screaming at me. Do you understand? I got a call for disturbance, and I'm going to checking it out. That is what I'm going to do. Are you alone in here?

    Marcie: I ain't got to answer none of your questions.

    Jim Kurring: No, you don't, but I'm going to ask you one more time. Are you alone in here?

    Marcie: What does it look like?

    Jim Kurring: There's no one else in here?

    Marcie: You in here.

    Jim Kurring: That's true, but is there anyone else besides me and you in this house?

    Marcie: No, I said that already.

    Jim Kurring: Are you lying to me?

    Marcie: I live by myself.

    Jim Kurring: That might be true, but the question I'm asking you, ma'am: is there anyone else in this house right now?

    Marcie: No.

  • Burt Ramsey: You smell like trouble.

    Jimmy Gator: I'm fucking hammered, Burt.