Compared with the concise and concise plots of the first two films, the quick preparations tend to show the audience's killer world setting too much, but it is not as good as the first two films where the leopard can be seen through a few dialogues of the characters. And there seems to be some contradictions in the setting: since high table has made the decision to eliminate Keanu, Keanu can go to North Africa to find a high table and find a big guy to get rid of it? ? ? No, isn't what you practice democratic centralism? The part of exchanging his life with Helen's wedding ring is a bit of a collapse. For a dog left by his deceased wife, he can kill seven in seven out, but the wedding ring for the best memory between the two is so easy to give away. ? ? ? I won't complain about the sushi chef part, it's depressing to see the cohesiveness.
Of course, for action scenes, the problem of the plot is gone in the past, but the action scenes that prepare quickly for battle can even be noticed by people who are watching the movie for the first time. It's like watching a stage play, the traces of "acting" are extremely heavy. There is obviously a weakness that Keanu is too old to move, and dog lovers are unable to move due to gender reasons. It is not like the first two movies to eliminate this effect by using a lot of short shots. Shooting, post-editing is it undercover?
In general, Keanu's image of the killing god established in the first and second films collapsed in the third film: it turned out that everyone was letting him =3=
If you have watched one or two movies and have not watched the quick preparations, it is recommended not to make up the ticket and get on the bus to avoid the collapse of the character image.
But even so, this film still has a score of 7.8, tsk tsk...
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