—"the Guardian"
This is a word from Kevin's Randall to Kutcher's Fischer. Sitting in front of the big screen, I could have guessed the ending of the story, but still Moved by this way of ending...
it's another movie that takes the old and brings the new, young people grow up, and the older generation gets redemption. The theme is not new. But the carrier chosen for this film is very good-the sea rescue team, a noble, brave and somewhat mysterious team. Unlike training athletes, marine ambulancemen must not only have excellent physical and psychological qualities, but also because they will make choices about their lives at any time, including others’ and their own. Therefore, inner growth is important to young lifeguards. It is very critical, and this has become the core content of Randall's training of Fischer.
Fischer is very talented, but like all young and energetic geniuses, he keeps making all kinds of mistakes, obsessed with female sex, defiant and exuberant. Randall, the stern instructor, took these all in his eyes, and gradually helped Fischer eliminate these problems invisibly. Especially with regard to Fischer's desire to break the record, Randall's tricks were pretty good, and in the end Fischer lost his interest in breaking the record.
If "teaching and learning" is a plot that fully demonstrates the personal charm and acting skills of the two main actors, then rescue at sea is undoubtedly the highlight of the soul of the film. What deserves a little praise is that in the two-hour movie. , There have been four rescues at sea, each with its own characteristics, which not only promoted the plot, but also gave the viewer a visual, auditory and spiritual shock in the midst of tension.
The script of the film not only tells the story of Randall's mentality and Fischer's growth process in an sensible and orderly manner, the two unexpected foreshadowings in the film are enough to surprise the viewer. One time was the rescue at the beginning of the film. The husband prevented his wife from escaping out of survival instinct, and Randall had to use violence to resolve the danger. I thought this episode was just a small episode in the opening of the protagonist's tall image, but I didn't expect it to be later used by Randall to describe his marital status, which is a lot of emotion. Then there was the bar lady who was dissatisfied with Fischer's wild words, telling him about Randall's heroic deeds of holding the survivors and not letting go. Unexpectedly, this turned out to be an invisible bridge between the master and the disciple at the end of the film...
Kutcher, I haven't watched his movie before, but because his relationship with Demi Moore is quite familiar with the name. It can be seen that Kutcher, who is used to acting in romantic comedies, cherishes the opportunity to appear in this film. Although some places have been too hard, the overall feeling is still good, coupled with such a handsome face, Who can not like it.
Kevin, a Hollywood star I am familiar with, has a combination of his persistence in art and his self-contained personality, making him a rare first-line star with ups and downs. Nowadays, his tall and strong body can hardly conceal his old appearance. The wrinkles on the big screen are especially obvious, but he is still cold and deep in front of him, still strong and mighty. It is calm and calm.
It is a movie that baptizes our hearts. The ending song "Never Let Go" Bryan Adams performed very well.
——Never give up, never get discouraged, never regret it¨
"Never Let Go"
Can you lay your life down, so a stranger can live?
Can you take what you need, but take less than you give?
Could you close every day, without the glory and fame?
Could you hold your head high, when no-one knows your name?
That's how legends are made, at least that's what they say.
We say goodbye, but never let go.
We live, we die,'coz you can't save every soul.
Gotta take every chance to, show that you're the kinda man who;
Will never look back, never look down,
and never let go.
Can you lose everything, you ever had planned?
Can you sit down again, and play another hand?
Could you risk everything, for the chance of being alone?
Under pressure find the grace, or would you come undone?
That's how legends are made, at least that's what they say?
We say goodbye, but never let go.
We live, we die,'coz you can't save every soul.
Gotta take every chance to, show that you're the kinda man who;
Will never look back, never look down,
and never let go.
Gotta take every chance to, show that you're the kinda man who;
Will never look back, never look down,
and never let go.
We say goodbye, but never let go.
We live, we die, 'but you can't save every soul.
Gotta take every chance to, show that you're the kinda man who;
Will never look back, never look down,
and never let go.
Will never look back, never look down,
and never let go.
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