The facial expressions of the characters, the texture of the muscles, the effect of the fluttering of thousands of hairs, the lines pulling the corners of the mouth when smiling. . . . They are all necessary to make this film break through animation and become more realistic.
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In fact, in addition to the above, there are some information hidden in the movie that is worth noting: The meaning of the dragon ghost in the movie is nothing In East Asia, such a detailed design is estimated to be inseparable from the China threat theory at the time. In contrast, the bald eagle that has appeared in the film twice, I am afraid that everyone's first reaction will be the United States.
No wonder that, even if we regard it as a typical representative of Japanese animation, it is still the product of the combination of American Hollywood blockbusters and Japanese new anime, and the American savior model repeated in disaster films and the American city represented by the destruction of New York The victim’s perspective also makes movies based on Japanese games look a bit nondescript. The theory about Gaya and the soul should also be the popularization of American Puritan education.
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