The descriptions of stillwell and v company are very vivid, and it is estimated that there are too many examples in real life for reference. What a genius idea. This private company that has existed for 20+ years? Who initiated this idea, which mad scientist? 82nd floor, what the hell is going on? It is estimated that these are for the inventory of the second quarter and the third quarter. . .
I think manga is difficult. But this difficulty is according to those who made movies seriously in the history of movies. As for those people, the qualities they have are: a reasonable story rhythm, a wonderful pace of character development, persistent character motives, lively supporting cast and group portraits, and a powerful story development rhythm.
However, Amazon did original content later than netflix, does it matter? Character biography, the story line of each episode should be confirmed and planned repeatedly? Or each of the main creators has 8-12 projects, and they can't take care of them. It's almost meaningless.
Therefore, this show is a very deformed and unbalanced freak. A product of the fast food era. These main creators are incapable and unwilling to find the right people to spend energy to digest this IP story and then extract the content of this form of suitable drama. So at the beginning, the emotional connection between the male protagonist/electrical clerk and the fake male protagonist was not established with the audience—he was cowardly and timid, and he lost his girlfriend—at the same time, his opposite, Chaoying, was revealed as ugly too quickly. , Moral decline is a drunken fan. So what attracts the audience is the bold shots and gore. The second, third, fourth, and fifth gradually enrich each character. The only people who have organic character development are the electrical clerk and the starlight. Others are gradual disclosures of true character, true motives. In the seventh episode, it is the cliché that everyone is a poor person and must have something to hate. According to the different acceptance levels of each person, there are different degrees of praise and criticism for these evaluations.
There are also very thoughtful extracts of some really well constructed highlight clips from the original work as embellishments to fool the audience.
The audience is also helpless. After being fed, they hold the tablet to watch the drama in a loss, and just watch it casually if they have a little interest.
On the one hand, the misery and pain on the good side cannot be expressed through the growth of the characters (hughie blows up the transparent and threatens Ezekiel is a rare let out moment), on the other hand, on the bad side, the ugly face is shoved into you. In front of you, it doesn't give you a chance to fight back. True too. . . awkward enough.
The most bizarre flaw is that from episodes 1-8, the protagonists of the righteous party have not even found the shadow of the key evidence that can defeat the bad superhero: in that world with dark and disorderly settings, why "the butcher" "I would be so naive to believe that I could win the homelander by negotiating a deal with my former colleagues, which is really beyond me. Everyone has the ambition to create a new universe, even outstanding people have such action and execution ability, the result is not incompetent, talent is always scarce, and false prosperity is terrifying.
Looking forward to how the deep, stupid and suffocating can go deeper.
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