Tom Cruise's Ethan Hunt is back again, with the same formula, and the same rawness, although Tom's old-school spy-style sentiment is more than novelty. It is known as the best in the series, but it is still not as good as "Ghost Protocol", but it is also a good inheritance. The so-called best estimate is only a means of publicity. Overall, the selling point is the action scenes with real guns and live ammunition, and the story is told in a mess. The story of "Total Disintegration" follows the line of the upper "Mysterious Nation". The leader of the syndicate, Lane, is arrested, and the rest of the series makes a comeback under the leadership of the mysterious villain John Lark. The focus of contention is the three plutonium bombs developed by mad scientists and Lane. To be honest, the Mission Impossible series with the theme of the nuclear bomb war is used too much. There are many villains who seem to have crazy beliefs but are actually blurred in various film and television works. Environmental terrorism has been raised to the highest level by Thanos, and it is boring to come again. That's why Mystic Nation is not good-looking, and the dual bosses of Total Disintegration are even worse. Lane is more frenzied and unintelligible than the last one, and John Lark's appeal is even less clear, featuring only dual identities, but the hints are too obvious to be guessed at first. The villain created by Henry Cavill is directly and completely bad, belonging to the villain-type Boss, terrorism in terrorism. His face is just as straight as Chris Evans, and he can only play a villain by growing a mustache. CE's Broadway play "Lobby Hero" also used a mustache to create a villain policeman. The story is not new, and the telling is too protracted. It seems to be keen on reversing and reversing, but it is not necessary. The good thing about "Ghost Protocol" is that the layers are well-defined and turned, and it is a bit abused in the sixth part. The characteristics of Mission Impossible - the high-tech weapon display is almost zero except for remote control cars and clone masks, and the focus is on pure action scenes such as Halo skydiving, car chase battles and helicopter chases. On the character level, one of the two bosses is too vague and the other too direct and unattractive. Lane's big beard in this film hides his neurotic facial expression, leaving the character with nothing but madness. while John Lark inexplicably insisted on Lane's female character and came up with a new love and an old love. Julia's appearance is only for feelings, while llsa is not as stunning as the last one, but the new White Widow has a bit of flavor. Afterwards foreshadowing. JR's character Brandt just disappeared, Benji, who was no longer funny, and Luther, who played soy sauce and backed the blame, maintained a fixed team. It is said that the original arrangement was for Brandt to die for the plutonium bomb, but JR refused, so he had to let Luther take the blame. As a result, the plot was unreasonable and lacked emotional tension. In fact, the biggest win of the Mission Impossible series is the scene, each of which is novel and bold in design. Every action scene in this episode is amazing. Not long after the opening was the Halo skydiving with the biggest gimmick. Needless to say, the camera effect was worth it. The three-agent toilet fight "John Lark" punches and moves smoothly, although it's slightly less dashing. The third segment is followed by the chase on the streets of Paris by heavy locomotives. A small piece of literary drama was added in the middle-the two sides were calculating and then the identity of John Lark was revealed. Although it was not very subtle, it was still qualified. Then there is the rooftop parkour. In this section, Tom is injured because of his life, but the parkour agent still needs to see Jason Bourne. The plot design of the plutonium bomb demolition in the final climax is slightly loose, and the tension is more placed on the helicopter chase and the final hand-to-hand combat scene between Ethan and John Lark. The scene of looking for the plutonium bomb in the camp just loosened up after the tension. Dropped, resulting in a very uncomfortable viewing experience. The 360-degree manoeuvre and descent was very exciting, and the helicopter hang was also very nervous, but the whole helicopter section was too long and procrastinated. It is better to add time to the hand-to-hand combat on the edge of the cliff. It is a pity that Henry Cavill did not perform well all the way. In general, the action scenes are really exciting but they are too 3D-serving, but the tension is well created, knowing the aura of the protagonist, but it can still make people's hearts go to the throat. The countdown is the beginning of the feature film. Although we all know that the last second will turn things around, how to complete the impossible task is still quite eye-catching. Compared with CG and green screen, Ah Tang's method of real guns and live ammunition is indeed old-fashioned, but the effect it presents is indeed not something that simple technology can create. with Ethan Hunt's people-oriented philosophy is consistent, and Atang cares about the audience's immersive experience. The publicity stunt of being the best in the series is indeed an overstatement. Ghost Protocol is hard to surpass, but Total Disintegration is a good match. Mission: Impossible is always the design of the action scenes and the tightness of the teamwork, and in this regard, the sixth part does a good enough job. Despite the masquerade of the villains, the lacklustre supporting cast, and the weak storyline, Mission: Impossible's features that stand out in so many of the spy movies are always on the line.
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