One was asked by the villain boss Fang, "You actually came back? Abandoned your good life", although he will be discovered to be a clone sooner or later, this natural saving trait also makes me very admire and... question.
The second is the man's curly-haired chubby friend. In the middle and later stages of the film, he started to win the lottery on a large scale, giving him a lot of shots. He is also one of the important reasons for the man to go back. Xiaopang's anticipation and excitement about Peach Blossom Island are particularly obvious. I began to think back to "The Elephant". The best thing is not Peach Blossom Land, but the moment when I think of Peach Blossom Land. After taking out the clones inside, not to mention their incompatibility with the social rules of the crowd, they found that the outside world itself is a lowly thing. If it is better to stay outside than inside, then why should you come out? If it's better for you to be caught up in a lie, then why know the truth? In my value, I will put my own interests at a relatively high point, at least higher than the truth and social reality.
The biggest contradiction in the film is not the unrealistic spirit of American blockbusters as always, but the unclear motive for the Clone Society to make a choice after having the owner's memory. In Scarlett, you can still see some of her fascination with men and freedom, but in the rampant male protagonist, you can't see what he is doing. Can't be for the big boats and motorcycles in memory, right?
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