An ordinary movie that can no longer be ordinary, it is such an ordinary movie that will make you sigh after watching it. It is very difficult to maintain the ordinary level of the whole book these days.
From the very beginning, you will have no pressure to anticipate the direction of the plot. When the male protagonist looks at the bull, you know that he will lose. When the little boy comes on stage, you know that they will experience estrangement and hardships and finally become inseparable. From the moment it's picked up from the scrap yard you know it's going to be great, and when Zeus is on the opposite side of the atom the game has already come to an end. Everything is so vulgar and bloody, this script is disgusting when we have been through 20 years of Hollywood assembly line commercial films like chewing wax.
But even with such an ordinary script, it still touches people's hearts. DreamWorks' production has determined its lower limit, and Sean has subtly raised its upper limit this time.
The most intuitive feeling when I first saw the film review was its excellent casting. I once doubted whether Hugh Jackman, who played the same role 8 times in his 17-year career, would still be able to jump out of the solid screen image. However, whether it is "Prisoner", "Deadly Magic" or this "Iron Armor" It is an indisputable fact that he is an excellent actor. Dakota is one of the least annoying child stars I've seen recently, and should be rated highly. Kevin Duran's character's soy sauce is not lost on the level, and it is just right to be disgusting in a limited space. As for Lily... Playing both human and elf is just as beautiful, what more could you ask for? Ha ha ha ha
Casting aside, the critics are commendable for its overall rhythm and musicality. The reason for emphasizing the cut-in is because the music of this film itself is not commendable, but every BGM comes just right, so that you can't pick out any faults, and the choice of each BGM makes you feel that it should be it. In the more than 200 minutes, there is not a single failure. In all fairness, many films above 8.5 have not done it.
Talk about rhythm, even with such a bad script. However, it has a reasonable distribution of roles and scenes, and the plot length is tight and orderly. More than half of the film is devoted to depicting father and son emotions, rather than fighting scenes or special effects. This allows the audience to pay more attention to the characters themselves. Although it increases the difficulty of the director, it allows the audience to have more. Emotions come in. This is the most criticized point of the so-called Hollywood blockbusters in recent years. In order to pursue special effects and big scenes to cater to the audience's sensory stimulation, they have given up the plot and even the core of the work. "Iron Fist" perfectly avoids this, giving you cool special effects, giving you a sci-fi world, and giving you fierce fighting, but it gives you more of what you deserve in the story of growing up and about family Inspirational, inspirational and thoughtful.
In the impetuous era, sci-fi movies are too lazy to tell a story, and they will give you a dazzling special effect. Action movies are too lazy to revise their lines. Anyway, they will give you a jumping and somersaulting series of kicks. , paste some fast-paced big scenes, the big deal is a few thrilling car chases and gun battles, and more explosions, the audience will finally pay for it. This is why "Transformers" sucks to the end, I would rather watch 50-year-old Tom crawl up and down high-rise buildings in Dubai than beat him to death than to watch "The Fast and the Furious", which killed the protagonist.
And "Iron Armored Steel Fist" wears the guise of a Hollywood sci-fi movie box office guarantee, and still sincerely strives to tell you this not-so-moving story to tears and your blood boils. Just ask when the little boy won the first official boxing match, rushed into the spotlight to openly challenge Zeus to the crowd and the media, roaring why not give the little guy a chance. Listen to this arrogant and rude cry, the cry from the humble us, the cry from dignity and dreams, listen, are your blood hot? Life should be independent and wonderful. It can be expected, but it cannot be lived because of other people's expectations. It cannot be vassalized by others because of love and hate. Not to mention family circumstances, social status, jobs, houses, marriages, friendships, they are not reasons for shackles to stifle your infinite possibilities. If only 11-year-old boys could defy power and wealth, stand firmly on the ground, and clamor for their uncompromising rock and roll spirit. I do feel that you don't have to live in suffocation.
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