But the one-hour scene in the second act tells that he met a blond stunner on the train, and the beautiful woman took the initiative to give her a hug. The two quickly entered the state of "friends with guns" that fell in love at first sight, and then fell in love.
This movie definitely appeals to female audiences because you can flirt with the big star Cary Grant on the screen, and there are several comedy memes that are flirting with this flirting element, including the scene where you turn to the bedside of a strange woman in a hotel, which is startling at first, If you find out it's a handsome guy, you can keep it. You can see what I'm talking about by substituting Cary Grant as Wu Xiubo. It's really a face-to-face world.
To use an inappropriate analogy, North by Northwest is a less fancy 007 movie.
As for the sexual metaphor of the train going into the hole, it is enough for Freudian psychoanalysts to analyze it for a long time, but if you look closely at the strong sexually suggestive lines of the two people on the train, as well as the lingering passages of hugging and kissing, they are so blatant and analyzed. A p, do you still need such an obscure expression that the train enters the hole? Why add this lens? Of course it's talking about sex, but it's not meant to be just about sex, in the same way that a fat guy (Hitchcock himself) misses the bus in the opening scene, because it's fun enough, just for fun.
Therefore, the questioning of the pursuit of the cornfield aircraft is also justified, too much pursuit of the scene and ignoring the rationality, of course, the original script is explained
See the underlined part
in another big screenwriter William Goldman in the book for the screenwriter of "North by Northwest", and you see, Hitchcock only restored 70% of the script.
The screenwriter is Ernest Lehman, a great screenwriter who has not won an Oscar for screenwriting.
His works include:
1954 Executive suite
1954 Sabrina
1956 The king and I
1957 The Sweet Smell of success
1959 North by Northwest
1960 From the Terrace
1961 West side story
1963 The prize
1965 The sound of music
1966 Who's afraid of Virginia Woolf?
As Hitchcock's fangirl, Truffaut is purely fascinated by this, but it does not mean that Hitchcock's films must be profound or humanistic thinking What.
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