For suspense films, this direct narrative method is actually interesting, and can completely bring the audience into the various emotions of the protagonist. It's a pity that now movies all like montages, the gods are reversed, the flashbacks are inserted, and the stalks are hidden. The negative textbook is Sherlock Detective
1. For the first time, the male protagonist is about to be arrested for "murdering". The reason why the intelligence bureau did not save him was that he was worried that Pucardo's plan to be a bait would be revealed. This logic is not right at all: the intelligence officer who has been known to the enemy is arrested by the police regardless. Wouldn't it be easier to arouse suspicion? Unless the intelligence bureau is incompetent and cannot use the police relationship.
2. Ignore 1 for the time being, the male protagonist was caught by the police again with a trick, and the Intelligence Bureau came forward directly. Unless the setting is that the Intelligence Bureau found his stupidity and decided to change his path, the plot would be self-contradictory.
3. At first, I didn't doubt the director about 1.2, so I thought it was a game for the male protagonist to be shot by the female protagonist so that the female protagonist could regain the enemy's trust. I didn't recognize the second male before the intelligence bureau had a meeting). I also want to say that this male protagonist is too stupid, let's see how the director rounds him up and he's not dead
4. As such a highly valued intelligence officer, the female protagonist reacts too unprofessional when the male protagonist appears in the hotel room. In other words, the director's espionage and espionage scenes are far worse than Chinese police, bandit and spy films.
5. When the male protagonist is tricked by the female protagonist, the enemy has 10,000 ways to kill the male protagonist, but chooses to deceive the male protagonist to a remote roadside and use the one with the lowest efficiency and the highest cost. Regardless of the variables in the process of the male protagonist acting alone, why not shoot? Don't hit the car? what? You hit it with a plane. . .
6. The last stone statue chase scene is a bit interesting, but it is full of loopholes without going into the logic.
7. The men and women in Hitchcock's films are unpleasant and inexplicably in love, and the plot is long-winded. The actor's performance is indescribable.
8. Since the villain can come and kill in the eyes of the party, why can't the auction be done, kill and run, just watch the male protagonist make a police call to take him away
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