The detailed process is nothing more than the origin of focusing on family and neglecting work. But the final scene is still touching.
I remembered what he said when interviewing Mr. Wu Chenghui. That was the scene in the 1940s: Americans made a lot of fake things as real, and Chinese made a lot of real things fake.
60 years have passed in an instant. If you had a time machine, or just a magical remote control, would you be willing to skip all the misery and self-torture?
The two details that impressed me the most were the grizzled Michael pressing the rewind button in front of his father's grave, and the phrase "forever and ever, babe" leaking from the corners of Dona's wrinkled mouth.
When life is faced with daily uselessness and boredom, are you willing to skip certain scenes and complete a dissolution of the meaning of life in an absent presupposition?
Wandering among outsiders and suffering may be the eternal motif of the human spirit.
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