Several distinct impressions: the
protagonist Jackman did not disappoint, the film version is different from the musical, his acting will always bring you into a certain mood, and you can't extricate yourself. Jackman's eyes are enough to make you see the deep cynicism of a tortured prisoner, the hesitation and dodging fear of meeting the sheriff after becoming mayor, the courage to face it calmly after self-struggling, and finally the saint-like courage. Great love and compassion, Jackman's eyes show it vividly.
The downside is that some of the musicals in the film, such as when Marius falls asleep in Barricade, Valjean's Bring him Home, are not as relatable as the 10-year-old musical Wikinson. This passage should have been Valjean's prayer for God to give Marius the blessing he bestowed on him, and he would rather die. It is full of a Jesus-like love for his younger generation and a feeling of self-giving for the happiness of others. . It's a pity that in the movie, the singing in this section can't bring people into it, and Valjean's Christian feeling is very pale.
If there are too many episodes of this kind, it will be a bit tedious and boring for those who have not seen the musical plot. .
Hathaway's Fantine is really good. You don't have to be too demanding compared to her singing skills in musicals. If Fantine's suffering is not limited to her voice, this movie version is indeed the most unstoppable - her eyes, her cough, her Singing in an angry voice, her pale face and thin body. I was crying. . Deeply sympathize with the pain of Dream becoming Shame. .
The other characters, Barks, who played Eponie in the 25-year musical, are still the actors in the movie, this time better than in the musical, and more of an actor in terms of performance.
Some people say that Javert's actor Crowe sings too badly, but I have no obvious feeling. Javert's struggles are mostly expressed through his vocals, and the two songs he sing are melodicly flat, so it's really hard to show the depth it deserves. --Or Schoenberg did not resonate with the collapse of Javert's inner worldview and sense of order when he wrote the song. Javert is actually a symbol. His suicide is not only A thief is always a thief. The sense of order represents the spirit of God The concession before the germination of human nature is also the collapse of the old world order. . But in comparison, I still like the 10-year version of the actor Quast.
The shopkeepers Thenardier and his wife are comedians, but the comedy treatment in this play is not as enjoyable as the 10-year musical. When directors try to express their comedy elements through both realism and rhythm, it is inevitable that they are a little embarrassing and impure. On the contrary, it seems that the two famous comedians did not develop in it at all.
Others will not comment. Marius and Cosette have always acted as mirrors that only reflect other people's light, and they have nothing worth mentioning. Enjolras should have been stronger and more tragic. . The little boy Gavroche has a lot of scenes and acting skills, and his aria behind the carriage is impressive.
Some new parts were added to the film and some were deleted. . The main additions are some gates to make the logical relationship of the context more prominent. But what I'm going to say is that when Valjean picked up Cosette and got into the wagon through the woods, the Suddenly part was pretty good, a guy who was alone had a girl to be with him, he suddenly had a kind of It's half the strange feeling of getting a new life, and half the sense of responsibility for this girl.
Les Misérables, with its two saintly protagonists, a thief and a prostitute, should be considered subversive in Hugo's time. --Hugo, when he dismissed the misfortune of some individuals as the social system for reflection, he showed a deep intellectual sentiment.
The revolution of 1832 failed because the students' ABC group did not have the mass response they expected. The corpses of the young students were lying on the ground, which would make people bring up the question that had to be raised again-----all this Is the sacrifice worth it? In the 10-year musical, Parisian women sing
Turning, Turning, turning, turning through the years
Minutes into hours and the hours into years.
Nothing changes, nothing ever can
Round and round the roundabout and back where you began!
Round and round and back where you began!
This will make people understand that all sacrifices will not be in vain, and all bloodstains will eventually lead to a new era. It's a pity that the movie actually deleted this part, which is my most regrettable place.
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