science fiction movies have two ways to play, one is to play with concepts, and the other is to play with effects. According to Ivan, sci-fi movies can be divided into several levels. The lowest level is technological, not necessarily fantasy, but at least it uses the most emerging actual technological power inside and outside the current era, such as "Avatar"; the second level is scientific. , whether scientific expectation or science fantasy, is an extension of logic and thinking, such as "Star Wars"; the third level is philosophical, based on philosophical reflection after science and fantasy, not only concepts but also propositions, such as " 2001: A Space Odyssey. With the above three levels, the first one can guarantee the box office, the second one can guarantee the word of mouth, and the third one can guarantee the connotation. If both, it can be called a masterpiece, a milestone in science fiction movies.
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Going too far, let's talk about Tron;
the 3D generation of the film is very good according to many people, but the story is very poor.
In my opinion, quite the opposite.
It may also be that I didn't watch IMAX. Anyway, I think 3D is terrible, comparable to the battle of the gods; the
story looks very different, but there are still many propositions.
It's just that Chinese people are used to the straightforward propositions of domestic films, and are not used to other people's philosophical hints.
The story is very simple, the game life of two generations of father and son who like video games.
The father is a programmer, and he has made a mess and can’t come back to play deep;
the son is a user, and the rich second generation who is looking for his father’s love is playing the process of psychological maturity; the
heroine is iso, a random program with digital DNA, which can connect numbers with the simulated isolational cell,
The villain, Clue, is the digital identity of the program, and eventually its self-awareness swells into something like a virus, controlling other programs in the electronic world and genocide against the ISO. Its dream is to bring the so-called perfect electronic world into reality.
The story is like this: KF, the protagonist of the last "TRON", was a proram who wanted to create perfection in the electronic world. Clue and tron were created to help program. Later, program as a human had a philosophical reflection, especially after seeing ISO. He realized that "perfection is not necessarily perfect, nature and reality are the ideals of perfection." But as a Clue with a digital mind, he couldn't understand it, he felt betrayal, so Clue took control of the Tron-System in a coup d'etat, and the program was Forced to escape with the last ISOmm, living a recluse life of meditation and reading in TRON-SYS. tron was re-programmed to become the club's thug. But sadly, as a program, Clue does not have the highest authority of Tron, he can only rule each program to play games in the virtual world. So he wanted to grab Program's identity card, so that he could realize the dream of electronic photos into reality. User SF was lured from Real-System to Tron-System by Clue, which was a breakthrough point. User opened the door to the electronic world and the real world, and led to program and iso. Clue's dream can be realized only by the process of violent snatch. It's a pity that "evil can overcome good", the programs have never played programmers, the program has completed self-redemption, and the user returns to the real world with the iso to watch the sunrise. Game Over.
Highlights:
1. Reflection on the omnipotence of science;
2. A cinematic description of the logic and meaning of the electronic world system; 3. About
the 3D special effects and imagination of the electronic competition in the electronic world;
It's a concept that I don't understand very well, but I also find it very interesting. I thought of digital-to-analog conversion.
5. As for the original sound, it's great.
Dark spots:
1. The 2D part sucks
2. The lines are really bad
3. The actors are badly chosen
4. The details determine many things. The details of the film are not handled, and the director is relatively rough.
After the identification, to be honest, it is a headache to look at.
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