After watching Mission: Impossible 2, I was completely dumbfounded. This film has refreshed my understanding of commercial films and opened up a new genre - commercial literary films. That's right. Art films. The overly procrastinating rhythm, the pretentious lines and the inexplicable white dove give this film a unique temperament. And these are all because Woo dropped the line. As for how to get disconnected, we need to start from the beginning. At the beginning, the villain hijacks the plane. There is no problem with the rhythm and plot of this paragraph. It is a blockbuster at a glance, and all the conspiracies are slowly unfolding in this hijacking operation - but wait! The camera began to fast-forward inexplicably, and then aimed at Brother Tom, followed by a large close-up + long-range switch, slowly and loosely, which dragged the distance that Tom had climbed in dozens of seconds to two minutes: I realized that , the rhythm of this film is not right! Where are the fast-paced stories of John Woo? Sure enough, things were getting weirder. Brother Tom is going to take the black girl as a teammate next, and he went without saying anything. Just be a teammate when you are a teammate, why do you make it like a gun? Look at the eyes of the two! Still in someone else's house! Do you have the quality of being a special agent? Then a series of sloppy editing, the characters must be silent for a long time when they say a word, plus Hans Zimmer's completely dropped lyrical soundtrack - OH MY GOD! I realized that John Woo won't be online for at least an hour and a half. Then there is the drug bureau fighting guns and destroying the virus without any tension. You shot me and kicked me... tsk, so sleepy - lethargic. In the haze, I saw the black girl injecting herself with the virus - oh. After spending more than ten minutes in the haze, I saw a familiar shadow appear. It was a white dove. ? ! ! Is Director Wu finally going online? Sure enough, Director Wu's really good play has officially begun - a quick edit + turn around and shoot + doves flying, Director Wu is finally back! The motorcycle roared and the dust flew, and I couldn't help but wonder: Did the company give all the money to the second half? Then, Director Wu played stably, ended the decisive battle, and the world was at peace. To sum up, Director Wu of this film was offline for about an hour and forty minutes before it actually went live. Of course, the reason for Director Wu's disconnection is probably because the editing rights are not in his hands, but the more important thing is the emptiness of the plot: even if it is loose, it is only a little over two hours, which shows the lack of script. Ugh. It's not easy for everyone.
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