The most unbearable rhythm of this movie is the strange rhythm. For example, in the section of invading a building and stealing a virus, the intrusion process is brisk and simple, and it cannot be said that it is bad. It didn't create an atmosphere of excitement and urgency for me, but it made me feel as disgusting as eating a dead fly, and when I thought about it, it was the blunt details like these that ruined the whole movie.
The part where the boss wears a mask to test the heroine is all removed. I can only say to this part: why bother~~
Invasion of the building, minus the above-mentioned foreshadowing, and the black hacker being bombed (completely unnecessary things, and increased The plot will bring about derivative problems, that is, how will black people detect the bomb, and who will be so stupid that they can still see the countdown in the rearview mirror of the bomb, and there is no harm in keeping black people in the building, so this part is completely unnecessary. ), and the back flip after the protagonist jumps out of the window (very blunt).
In the section of the final invasion of the bunker, remove the tricks to deal with the minions. If you don’t use such fancy moves and slow motions against the minions, the final boss fight may make the audience feel amazing; change the negotiation from asking for money to asking for money Stocks removed, just imagine if a rare virus broke out in Sydney, and in less than 20 hours a company immediately provided an antidote, this company still thinks about going up and down, joking, this is not when the Australian people are fools That is, when the audience is a fool, it is good to ask for extra money according to the routine of Hong Kong films.
It's not that slow motion can't be used, but that it can't be abused. It's a double-edged sword.
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