The people in this film especially understand what "loneliness" means. There's one important detail -
Ryan's brother-in-law had stage fright before the wedding, and Ryan was sent to break his "everything is a cloud" thought. Ryan admitted at the beginning that "conservation (represented by marriage) cannot resist nothingness", but he also said that "not being conservative will lead to loneliness". When my brother-in-law heard this, he was enlightened: Yes, it was the loneliness last night that made him feel lonely. I'm cranky thinking that the loneliness of the future makes me likely to jump off the bridge when I encounter unlucky things like being laid off.
For the quintessential American silver in the film, loneliness is something scarier than nothingness. At least in this movie, "nothingness" can be resisted with "Alex (Ryan's lover)-style irresponsibility", but loneliness, loneliness is to build an alternative world completely in the cloud, isolated from this mundane world . In this world, only Ryan, who keeps losing weight, does it at the beginning of the film. But the movie ends up showing us that the world wasn't really built by Ryan himself. Rather than constructing, he chose, embarked on, and while deeply in love with this way of life, forgot the reasons for his choice in the first place.
Throughout the film, Ryan has no peers. The point of the whole story is that Alex, his seemingly most caring person, "betrayed" him the most.
Ryan walks the clouds and water, and walks alone in the sky. The goal is to have the name fly in his place forever. But when his "free American dream" was just around the corner, his inner emotions had already fallen to the ground. That's where the film's plot setting is cunning.
He tried to fall to the ground, unaware that he had suffered "the worst aspect of conservative life" - an irresponsible extra-marital episode. He thought Alex was his kind at first, only to find out that she wasn't, but a big lie created by the life he was against. It cannot be denied that Alex has feelings for him, but the purpose of this feeling is to "fill" the emptiness caused by Alex's burden and excessive loneliness.
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So in the whole film, the best part of free life, the worst part of being kept Deep rape.
Bbbbbbbut, free to be raped, is indeed because of Ryan's bosom. He believed that two "free men" flying synchronously could land on the ground at the same time. And the movie tells us that it's another dream, a dream that's harder to achieve than "carving your name on an airplane." You cannot find conservatism in liberty, because you are lifted to heaven by conservative pragmatism. The facts that cannot be forgotten are the ones that are most deliberately made to be forgotten by you.
Ryan is a dream, the American dream of freedom itself.
But how can a dream be a reality?
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In most American logic, the resistance to loneliness is family.
And the brutal solution is a dream. Reality is cruel, but cruelty can make you fly.
But Ryan told Natalie that our obligation is to put this dream in front of most people, paint it more beautifully, and let them turn to a dream in the cruel friction.
Ryan's implication, dream, is the lubricant, the taxiway between cruelty and the next cruelty.
As far as true reality is concerned, a dream is not a real existence. The essence of the American Dream has changed here.
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The more lonely, the more conservative, the more pragmatic, the more reliant on the warmth of the family, the more dissatisfied with the unwarmth of the family, the more the need for a moment of unpractical and unconservative freedom to fly, the more it creates a dream of freedom that flows like a love episode, the less Responsibly exalt the value of this freedom dream, more and more the isolation and loneliness of freedom in this freedom dream, more and more forgetfulness and blurring in isolation and loneliness...
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In this way, is it not the same to drive the dream of freedom or fall into reality?
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