Kin Hankman

Alexzander 2022-03-26 09:01:05

The sound version of "Amplify" is closer to Cortazar's original work in style. Even at the end, we don't know what happened. The movie makes the male protagonist's moral guilt complete the devouring of his sanity at the end of one fifth. Knowing to push delusional symptoms to the audience doesn't tell the difference between the real and the fake even if we know it. Different from Antonioni's presentation of the contradiction between photography and film on the murder scene, Coppola's voice seems to be declaring his absolute objectivity. The voice that becomes identifiable after a few episodes of debugging clearly expresses the possibility of premeditated murder. The point where the audience cuts in and the subsequent sharp turn puts the audience in a situation similar to that of the male protagonist. On the one hand, no one around them cares about the relationship between eavesdropping itself and the truth, and it is more of a gossip for entertainment. On the other hand, it is the boundless conspiracy that the mysterious employer seems to be brewing. The moral collapse of the male protagonist's professional belief and the inability to resort to religion are all in order to cling to the belief until delusional monitoring is all that is needed. Magically coupled with Watergate to achieve its off-screen status, it seems ironic today

Violette 2022-03-20 09:01:45

In the end, Harry Cole was sitting in the house he demolished playing the saxophone. Gene Hackman's acting in this movie is amazing~~