The movie in 1997 talked about terrorists like this: a miserable childhood; a handsome and melancholy Republican army; foreign love and friendship; a struggling belief while being firm... That year terrorists were either evil or evil. Struggling and speaking are inevitably fair, justice, or vengeance questions that will never be solved. Look at the current terrorism movies again. The involvement of civilians in war can be caused by unemployment. When a human bomb is instigated, which government may be behind the terrorists, and the US congressmen are basically oil companies behind them... When it is cold and hard in reality, why is there such a big change? 9/11. 9/11 turned terrorism from a remote setting for screenwriters into a reality in American life. This difference has brought about a change in the perspective of observation: before you always wanted to say what the terrorist is like, at this time you are treating the whole thing as a target, now you will say what this Arab is like, what the hell is his father - at this time, what do you think? I saw something clearly. In fact, when your target is a whole group of people, you won’t have any meaningful conclusions
written on the train with your mobile phone. It’s not coherent, forgive me.

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