For Cyborg, the extra drama just portrayed him as an unreasonable giant baby image, and the personal drama at the end of the war was completely a dragging rhythm. If you have to introduce Cyborg, it is better to shape him as the main line. Losing the only mother who cared about him, he paranoidly hoped to use the mother box to revive his mother. So he was bewitched by Steppenwolf and led wolves into the house, causing the earth to be invaded. Finally, he found that even if he was resurrected, his mother was only a complete mechanical creature. Then he matched his father with him. Confession, learn to give up what has been lost and cherish what you have. In the end, in order to make up for the mistakes you made, you will solve Steppenwolf together with the Justice League.
As for Xiao Shan, I don't understand how the slow motion of saving the girl can play a role in the plot and characterization. It is better to add a paragraph of Xiao Shan who is constantly looking for legal cases to exonerate his father, but is frequently rejected by lawyers. Use To highlight Xiao Shan's spirit of not giving up lightly. Isn't it bad to sublimate the plot of time reversal at the end, as if Xiao Shan already knew that she could reverse time.
For the Martian hunter, this is added to the general. Considering the general's actions in mos and bvs (sending hostages + throwing nuclear bombs), will it really not destroy the character of the Martian hunter?
As the master plan of dceu. Consuming DC characters indiscriminately in this way has no intention of shaping them. It is purely to take care of their fans. It's disappointing
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