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The reason for 12's failure is that too many romances and women are added, which makes people feel very tacky.
13 learned from the failure experience of 12 and focused on the characterization and detailed action, and won great success.
To be honest, I hate 12, especially those women!
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12 rotten, rotten in the vulgar, lost the characteristics of Arhat.
If 12 doesn't belong to the Luohan series, it might be a good movie, but with the word Luohan, it's a failure.
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If you haven't seen 11 and 13, and watch 12 directly, you may not criticize 12, because according to popular movies, 12 is still a success.
But if 12 counts in the Lohan series, that's a big problem. The plot of those secular movies will greatly obliterate the Lohan model.
So I say '12 Luohan' is the most failed in the Luohan series, and Luohan's director and market reaction also prove it.
In view of the defects of 12, the director launched 13 in order to restore the reputation of himself and Luohan, and achieved the final victory of the 'Battle of Luohan'.
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Luohan's director did admit that: 12 Luohan defeated a woman, which makes people feel stereotyped.
Lenovo China's blockbusters imitate Hollywood badly. Who knows that the imitations are outdated dross. Chinese directors have no culture and depth, and relying on imitation is doomed to failure.
Just think:
"Warring States" might have succeeded without that prostitute from Korea.
"Confucius" would be more successful if the slut Zhou Xun was removed.
The success of 13 Luohan also lies in the fact that the female characters in it are all flawed, such as the front desk supervisor who takes bribes, the middle-aged ** who judges people by their appearance, and the simple-minded waitress...
13 Luohan can be said to show all the bad faults of women in reality, and no one is to beautify women.
13 Arhat's success may also have something to do with women.
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Nietzsche said in the will to right that women are the most stupid and inferior animals.
This statement does make sense.
Tell Chinese directors a secret to success: don't have positive female protagonists and love in the movie, remove these and your movie will be successful.
Chinese peasant directors, give it a try if you don't believe it, SB......
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My point of view is: 12 Arhats are clichés and doomed to failure; Chinese directors are peasants and doomed to failure.
Why are Chinese directors all farmers? Because Chinese fans are all farmers, the director of course made the movie from the perspective of farmers.
This is why such crude Hong Kong films are rampant in the mainland, because Hong Kong films are favored by migrant workers.....
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