Teagan 2022-04-23 07:01:18
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Gabrielle 2022-04-24 07:01:02
93/100 is another film about dreams and reality, but in Lynch's hands, he merged the two in a "magic" way, with fragmented stories embedded in every sensory gap, not only non-linear. , is not narrative at all. The camera turns into an eye, and every movement is a wild dance in a dream. The disappearance of characters and the transformation of time and space are not only the composition of the dream, but also the puzzle of the entire image "empire". Ambience. For viewers, connecting clues in series can have the pleasure of solving puzzles, stirring life and death in the flashy world. And the purely emotional experience will also have the pleasure of wandering in the maze, and finally sleeping with the dream. It can be seen that Lynch really likes Freud, creating such a great work to prove it, and let everyone understand that the director is a great weirdo.
Crystel 2022-03-24 09:01:18
I can't say that I understand it, but I like it very much. There is a kind of dream-like freewheeling characteristic. It may mainly be that the girl's dream is frustrated, and then her psychology has changed.
Cowboy: When you see the girl in the picture that was shown to you earlier today, you will say, "this is the girl". The rest of the cast can stay, that's up to you. But the choice for that lead girl is NOT up to you. Now... you will see me one more time, if you do good. You will see me... two more times, if you do bad. Good night.
Betty Elms: [Betty and Rita are in bed, about to have sex for the first time] Have you ever done this before?
Rita: I don't know. Have you?
Betty Elms: I want to with you.
