The film clearly explained the background of the story at the outset. It is worth mentioning that this film is adapted from the French sci-fi comic "Le Transperceneige". Since I have not read the original comic, I cannot expand it too much here. Come and have a look. The background of the story is that because of global warming, humans built a machine called CW7 to adjust the temperature, but the final failure caused the global temperature to plummet. The only remaining human beings ride in the Noah's Ark-like train. This train revolves around the earth on a perpetual motion machine. It can be self-sufficient and can run forever, but there are two completely different lives. , people in the front area live in luxury, while those in the back area are squeezed and can only work hard. Unable to endure the harsh conditions of a prisoner-of-war shelter, the people of the stub car decide to rebel, and the leader Curtis plots a riot to seize the engine of the train's lifeline controlled by the mysterious and brutal dictator Wilford. In the district, in order to survive the advance of one car and one car, they set off a "revolution" to march towards the front of the car. . . . . .
First of all, the picture that appeared was that in the extremely cold weather, the earth had lost the slightest bit of life, snowflakes were whistling, and the wind was cold. The once proud automobile civilization also perished in this extremely harsh environment. As the camera zooms in, a train runs across this lifeless wasteland. Then enter the compartment, the first thing that appears is that the cold iron door is opened, and two fully armed soldiers come in to count the number of people, one is in charge of guarding, and the other is in charge of counting. Why the points are explained later. It's because of the so-called "74%" principle. Among them, from the slightly tired look of the soldier who counted the points, they were already familiar with this part and didn't care, indicating that for a long time, they and the people in the last car were "at peace". . There is also an explanation behind this quite long period of time, which is 4 and a half years. When the soldiers wanted to take the violinist away, a skirmish broke out between them, which ended in the compromise of the "rebels". When Edgar urged Curtis to act immediately, Curtis replied: Not yet. Edgar asked again: When was that? Curtis glared forward with a firm answer: soon. When the violinist was taken away, he left a sentence: I will be back soon. When everyone was about to forget the violinist, he appeared again, but he was already part of this system, this engine, and part of the first-class carriage. Why? Why did this happen? Why did it change so easily from a "rebel" to a defender of the old system? How the violinist changed we don't know, but later when Curtis got into the engine and In the conversations and inner battles that Lieford had, I think we can already find the answer. Let's leave this for a later discussion. People in the last car began to line up to receive food - protein nuggets. This kind of thing is dark and long, and at first glance looks like our Chinese turtle paste. Of course not. Later, when they entered the food-producing carriage, Curtis discovered that the original protein block was actually made of cockroaches. And when he stood on the boiler and saw thousands of cockroaches being crushed, rolled, and processed, he couldn't help but vomit. Just one word to the painter as a historian: You can't do this. It means that he cannot record this picture and this history. At the end, they also explained that they once had a period of cannibalism as "animals are not as good as". From people eating people to people eating cockroaches, they have actually evolved a lot. The protein block hides a message from a "traitor" who appeared in the front compartment, The ending points out that it was Williford who delivered the message to them. As for the episode of getting the note from Timmy, it seems to tell us, intentionally or unintentionally, that despite the harsh living environment, there is still hope for us humans, because we still have children. The first note--Nangong Min-soo, a security expert in prison. At this point Curtis and Gilliam began their first conversations about the future and fate of the rebellion. Regarding the rescue of Namgoong Min-soo, Gilliam said something meaningful: The person whose destiny depends on us. The final facts also proved that Nangong Minxiu is indeed the one who decides their fate, and even the one who saves the fate of mankind. Curtis said he was going to the front of the carriage, Gilliam asked worriedly: the front? Curtis replied: yes (yes)! Curtis then published his views on the future and destiny of the rebellion: from here to In front of the train, all in all. We control the engine, we control the world. Without it, we have nothing. All previous revolutions failed because they couldn't control the engine. And this time we're going to control the engine. We're going to kill them (Wilford). In this dialogue, Gilliam exists as the mentor of the "rebels", although he hesitated for a moment when asked what to do after taking control of the engine, but at least he is guiding and supporting Curtie at this moment. Rebel. This passage of Curtis clearly expressed his position of rebelling to the end, and it was the most radical type of rebellion, killing everyone, or rushing forward desperately. But if the rebellion succeeded in the end, and he was unwilling to replace Wilford as a leader, he elected Gilliam. The reason for this is also explained later. In his heart, he can't forget the scene where he once slashed and slashed others because he couldn't stand hunger. Guilt and shame made him feel that he was not worthy of being a leader. He was only willing to lead them to rebel, but he was unwilling to lead them into the future. It also revealed that Curtis didn't seem ready when he had to lead the rebellion entirely. The front? Curtis answered: yes! Curtis then published his views on the future and destiny of the rebellion: from here to the front of the train, everything. We control the engine, we control the world. Without it, we have nothing. All previous revolutions failed because they couldn't control the engine. And this time we're going to control the engine. We're going to kill them (Wilford). In this dialogue, Gilliam exists as the mentor of the "rebels", although he hesitated for a moment when asked what to do after taking control of the engine, but at least he is guiding and supporting Curtie at this moment. Rebel. This passage of Curtis clearly expressed his position of rebelling to the end, and it was the most radical type of rebellion, killing everyone, or rushing forward desperately. But if the rebellion succeeded in the end, and he was unwilling to replace Wilford as a leader, he elected Gilliam. The reason for this is also explained later. In his heart, he can't forget the scene where he once slashed and slashed others because he couldn't stand hunger. Guilt and shame made him feel that he was not worthy of being a leader. He was only willing to lead them to rebel, but he was unwilling to lead them into the future. It also revealed that Curtis didn't seem ready when he had to lead the rebellion entirely. The front? Curtis answered: yes! Curtis then published his views on the future and destiny of the rebellion: from here to the front of the train, everything. We control the engine, we control the world. Without it, we have nothing. All previous revolutions failed because they couldn't control the engine. And this time we're going to control the engine. We're going to kill them (Wilford). In this dialogue, Gilliam exists as the mentor of the "rebels", although he hesitated for a moment when asked what to do after taking control of the engine, but at least he is guiding and supporting Curtie at this moment. Rebel. This passage of Curtis clearly expressed his position of rebelling to the end, and it was the most radical type of rebellion, killing everyone, or rushing forward desperately. But if the rebellion succeeded in the end, and he was unwilling to replace Wilford as a leader, he elected Gilliam. The reason for this is also explained later. In his heart, he can't forget the scene where he once slashed and slashed others because he couldn't stand hunger. Guilt and shame made him feel that he was not worthy of being a leader. He was only willing to lead them to rebel, but he was unwilling to lead them into the future. It also revealed that Curtis didn't seem ready when he had to lead the rebellion entirely.
Wilford's personal assistant brought the soldiers to catch the child. Her appearance can be described as stunning. When the audience saw this scene in the cinema, the audience let out a slight exclamation of "wow". In the first 13 minutes of the film, all the pictures are composed of cool tones. The metallic black on the carriages and the soldier's equipment, the depressed expression of the refugees in the last carriage, and the dirty black oil on the clothes made me think this was the keynote of the movie. The color of chrysanthemum yellow suddenly appeared in the picture, and the huge color contrast also indicated that the next struggle was imminent. Moreover, the background music was also greatly enhanced when the personal assistant appeared. Solemn, solemn, authoritative. When this scene appeared, she didn't have a line, and she began to measure the child's height. Even if she was finally smashed by the thrown shoe, she only frowned slightly after sucking her blood. Moreover, I can be sure that she is not frowning because of how painful or angry she was being smashed. I know that she frowned because the first time she tasted blood, she was uncomfortable and unpleasant because of the fishy sweetness. She coldly took away the two children without leaving a single word. No one knows why she wants children. I'm a little bit puzzled about why Wilford's personal assistant isn't a tall, beautiful blonde, and that question is answered in her final scene. It's better for such a sinister and vicious woman to grow up like this. Next was the execution of Andrew. I don't want to use words like inhuman and horrific, because what happens next will only make me more at a loss for words. The executioner left Andrew naked and fixed his right arm outside the train with metal. Seven minutes later, Andrew's arm was broken like ice cubes. From the beginning to the end of the execution, the executioners did not have a trace of expression, not even the slightest. They were as cold as knives and bullets. Through these 7 minutes, Minister Mason appeared. Her dress in fur corresponds to the ragged wrappings of people in the stern carriage. I have to say that her eloquence is very good, her speech is very provocative, especially her two body movements are even more impressive. . That kind of mechanically accurate, seamless bite makes people shudder. She kept preaching that everyone should be loyal to Wilford, and kept clamoring for everyone to stay where they should be like machine parts, without a trace of doubt and resistance. The unmistakable tone of voice, the flattery from the phone call with Wilford, and the shrunken lips when she later learned that she had no teeth, were all ironic. Andrew's arm was broken like ice cubes, the cold made him lose consciousness for a moment, A moment of silence was followed by hysterical screams of pain, and the silence had meaning because of this sound. Just when Edgar wanted to go and see Andrew, Curtis replied: "No now." Isn't it time? Then when is it time? The cruel forbearance at this moment is to accumulate more power later. Gilliam appeared, followed by several elders, and I think he was already qualitative at this time - he was the spiritual leader of this rebellion. Minister Mason seemed to respect him very much, berating the soldier for taking away the useless gun, a sentence that Curtis captured keenly - the gun in the soldier's hand was unloaded. But from their dialogue, it seems to tell us that Minister Mason did not know that Gilliam and Wilford had an agreement or consensus on this rebellion (this is also debatable).
The night before dawn is the darkest. The mountains and rains are about to come and the wind is full, and the rebellion has reached the final stage of preparation. It is worth mentioning that there is a painter among the rebels, and here he should exist as a historian. He wrote down every historical event with his drawings. As for why he wrote history, I think this sentence can be used to answer it—all history is contemporary history. And what we have learned from history is that we never used to gain experience. We should not forget the darkness before dawn. The rebellion began hastily, but the results were exhilarating. Now that it has started, there is no turning back, the only thing is that I am curious about what is written on the second red note? There is no answer at the end of the movie. When the battle was blocked, an Achilles figure appeared, who was supposed to be Gilliam's bodyguard. He was running on a barrel of oil, and the final kill was a neat, perfect scene that reminded me of Brad Pitt's Achilles in Wolfgang Peterson's Troy, because of their ending Also tragic. He found Nangong Minxiu, and "coercion and temptation" made him join the rebel faction, along with his daughter, Yuna. Nangong Minxiu asked for two kronols for every door he opened, and Curtis agreed. (kronol--industrial waste, flammable, hallucinogen.) Nangong Minxiu took out two Marlboro cigarettes and three Huocai that were the only ones on earth. And it's even more unbelievable for Chen, a child who has never seen these things since birth. The camera gave Namgoong Min-soo a close-up, at that moment he was like a prophet. From the later episodes, we can know that Namgoong Minsu is not an addict. He collected kronol to take advantage of its flammability, blow up the train, escape from here completely, and end it all. In this sense, he is the real rebels, the real revolutionaries. Of course, in the end, the fire that ignited the explosives was in Curtis's hands, and the final choice was still in his hands, and it was up to him to decide the fate of the rebellion. As for why Nangong Minxiu didn't tell everyone his thoughts right away, it might have something to do with the previous failed rebellions. He couldn't fully trust the people in the last car, he wasn't sure if they had the courage to get out of the train like he did, and he couldn't take the risk until he got a positive answer. I started to move forward door by door. I specifically checked the original comics, this train has 1001 sections, and the movie is set to 100 sections. Yuna is starting to show her difference here, he can see through the door and see what's behind the door, I don't know why such a special ability setting has a meaning other than the real meaning, maybe she only has this real meaning. In a carriage, they opened the curtains, and it was still a world of ice and snow outside, and all the buildings in the city were covered by ice. Gilliam said something meaningful: "It's still cold. Dead, everything is dead". It's still so cold, they still have to stay in the train, they still have to rely on the engine and the system to survive, and the fate of mankind is still fragile. The background music is lighthearted when entering the protein block production car, and the chef Paul is in a state of madness. Curtis invites him to go forward with him, and he can't deny it. In the water supply compartment, two groups of people face each other, and the background music is very weird. Of course, if you have seen "Memories of Murder", it will be more acceptable, but I have to say that this kind of music and the plot are very well matched. It is tense and exciting. , unable to stop. Before the fierce battle, cutting the fish maw is similar to the scene of sacrifice and intimidation. It also appeared in "The Godfather". It is said that this custom originated in Sicily, Italy, and the Mafia likes to use this method to intimidate the enemy. The battle begins, frame by frame of slow motion and soothing music, coupled with Curtis's low roar and the sound of a knife and axe slashing into meat and chopping bones, making people feel immersed and bloody. Passing the Ekaterina Bridge, especially when the countdown to the new year is coming, makes people laugh a little - happy new year. A few seconds ago, the fierce battle was tense and suffocating, but a few seconds later, because of the arrival of the new year, I suddenly felt happy. The train has been running on the ice and snow wasteland for 18 years. Whether they are enemies or not, they have spent 18 years on this train together. As for why a group of people wants to enslave a group of people, it can only be left after the fierce battle and until the rebellion. After success or failure, the winner will answer. During the few minutes of the truce crossing the bridge, Nangong Minxiu picked up his daughter Yuna and showed him the increasingly clear outline of the plane under the bridge, which also paved the way for them to finally get out of the train. Minister Mason came back to speak again, and the number 74% was mentioned for the first time. The train entered the long tunnel. In the dark, the gangsters raised their swords and axes with the help of night vision goggles. The rebels were helpless and wailed. In the dark, the executioner is really tall, and he does not hesitate to pick up the knife and axe. Could this be the end of the rebellion? In the dark, the sound of fire crossing the letterhead, the light grows little by little, and the darkness Back off a little bit. The child Chen, holding the torch in the cheers of the crowd and the rushing sound of gongs and drums, brought the light to the battlefield ahead. The scene was like the passing of the Olympic torch, but he was far brighter than the Olympic torch. The rebels have started their counterattack! Edgar is held hostage by the leading gangster, and Curtis faces a choice. He chose, and Edgar fell. This was the first battle after the rebellion. The bodies were all over the carriage, and the price was within sight. Gilliam said to the survivors: Survivors, clean themselves. Wash the blood from your body with water. Minister Mason promised to lead Curtis to Wilford in order to protect himself, and asked Curtis to kill Wilford.
After the fierce battle, Curtis and Gilliam had another conversation about the future of the rebellion. Gilliam asked Curtis: Do you still want to continue in the future? Curtis replied: Of course, we're not even halfway there. 10 cars, 20 cars, none of this matters, if you can't reach the engine, he will definitely organize his forces to attack us again. Gilliam said: But a lot of people died, and our people were very tired. This conversation ultimately established Curtis' leadership, and Curtis began to build confidence in his leadership. It's worth noting that Gilliam told Curtis: Stop, it's better to hug a woman with two hands. Did Gilliam start to compromise at this time? Was it because there were too many casualties, and I hoped Curtis could leave two hands to hug the woman? Curtis finally decided to move on, and Gilliam gave him a Advice: don't let Wilford talk, cut off his tongue,
A group of seven people started on the road, started to embark on the journey of revolution, they are no longer rebels, they already have the beautiful name of revolution. They were first greeted by the gurgling orchard, and the scene of the first-class carriage began to unfold towards them. There are aquariums, there are meatpacking areas, and there are even schools. In the scene where everyone was eating sushi, Minister Mason relentlessly instilled her so-called system theory. In this section of the school, it deeply tells us a truth-brainwashing should start from young children. The seemingly gentle teacher finally took out a machine gun and fired wildly at the crowd. The third red note appeared - blood, and so did the violinist, but he was now a gentleman. Gilliam had been killed, Minister Mason had been executed, and the revolution had come to the fore. Let's wait until the revolution is successful and then look back at these two men, now we must move forward. The train window was broken, and a snowflake floated in. Does this indicate that the train and the outside world can blend and coexist? The revolution continues, Tanya is dead, and "Grey" is also dead. Curtis wants to find Tanya's children before she dies. Passing through the sensual bar and the addict's carriage, the three of them finally came to the last carriage where the engine was, and where Wilford was located. Curtis and Namgoong Min-soo had a conversation before deciding whether to go in or not. Curtis opened his heart to Namgoong Min Soo Tan, telling about the tragic cannibalism incident that happened 17 years ago. And in those dark days, he committed sins that he was destined to bear for a lifetime, which was also the reason why he knew that he was not worthy of being a leader. He killed a child's mother in order to live to eat that child. And just then Gilliam stood up, chopped off his own hand with a knife, and said: eat this, leave the child. That kid is Edgar. After that, people began to eat the hands and feet they cut off by themselves. When I heard him talk about this inner monologue, my eyes could not help but get wet, what a painful experience it was. Namgoong Min-soo revealed his secret and took out a homemade kronol bomb. Somehow, Nangong Minxiu gave the last match to Curtis, intentionally or unintentionally. Namgoong Min-soo's last sentence should be the ultimate attribution of this revolution. He said: "We've been here for 18 years and everyone thinks it's a wall, but it's a door. Open it up and we'll get out of here as soon as possible. The more you learn, the more clearly visible the plane is, indicating that the snow is melting, the temperature is rising, and even liquid has appeared. Wilford's personal assistant came out and fired a shot at Namgoong Minsu, Take the bomb. Curtis finally came to the engine room, to the center of the system, and met Wilford. Of course, he didn't follow Gilliam's advice, he didn't cut Wilford's tongue directly, but after listening to his confusing, brainwashed and inflammatory speeches, he began to doubt the original intention of the revolution. . Wilford explained the 74% theory to him. When the population capacity reaches the critical 74% of the system, it is necessary to eliminate some people to keep the engine running, or kill, or create a rebellion. This is finding a plausible reason for one group of people to kill another group of people. The biggest flaw is who has the right to decide who is the slaughter and who is the slaughtered. Wilford told Curtis everything about him and Gilliam, and I'm not sure if this was a lie that Wilford was trying to bring down Curtis psychologically, or if it was true. But I'm more inclined to think that Wilford didn't lie. If they planned it, a lot of things would make sense, such as the red note. But it cannot be denied that perhaps Gilliam did not participate in Wilford's plan, and Gilliam's last words were just his performance as a not a complete revolutionist. Wilford wants to use Curtis to maintain 74% of the stability of the system, and it seems that he is really willing to use Curtis as his successor. Curtis, who was standing in front of the huge engine, seemed a little confused. Will the revolution continue? To break all this, or to compromise? Wilford gave him the last red note-train (train), And tell him: You have to keep the machine and let him keep working. He must lead the train, lead the human race, lead the world, it is his destiny. Just when he didn't know how to decide, with Yuna's help, he found Tanya's child Timmy, and he made a choice. Choose to blow up this place and escape into the vast world outside, although it is still covered with ice and snow. I think it was Timmy who reminded him of Edgar, the one who brutally murdered the mother of a child in order to survive. If he compromised now, it would be a repeat of what happened. And this is absolutely unacceptable to Curtis. Curtis jammed the gear with his hand and handed Yuna the match. Just when the engine failed and needed manual operation, Andy appeared, and he walked to the console like a puppet. My heart began to doubt the original intention of the revolution. Wilford explained the 74% theory to him. When the population capacity reaches the critical 74% of the system, it is necessary to eliminate some people to keep the engine running, or kill, or create a rebellion. This is finding a plausible reason for one group of people to kill another group of people. The biggest flaw is who has the right to decide who is the slaughter and who is the slaughtered. Wilford told Curtis everything about him and Gilliam, and I'm not sure if this was a lie that Wilford was trying to bring down Curtis psychologically, or if it was true. But I'm more inclined to think that Wilford didn't lie. If they planned it, a lot of things would make sense, such as the red note. But it cannot be denied that perhaps Gilliam did not participate in Wilford's plan, and Gilliam's last words were just his performance as a not a complete revolutionist. Wilford wants to use Curtis to maintain 74% of the stability of the system, and it seems that he is really willing to use Curtis as his successor. Curtis, who was standing in front of the huge engine, seemed a little confused. Will the revolution continue? To break all this, or to compromise? Wilford gave him the last red note-train (train), And tell him: You have to keep the machine and let him keep working. He must lead the train, lead the human race, lead the world, it is his destiny. Just when he didn't know how to decide, with Yuna's help, he found Tanya's child Timmy, and he made a choice. Choose to blow up this place and escape into the vast world outside, although it is still covered with ice and snow. I think it was Timmy who reminded him of Edgar, the one who brutally murdered the mother of a child in order to survive. If he compromised now, it would be a repeat of what happened. And this is absolutely unacceptable to Curtis. Curtis jammed the gear with his hand and handed Yuna the match. Just when the engine failed and needed manual operation, Andy appeared, and he walked to the console like a puppet. My heart began to doubt the original intention of the revolution. Wilford explained the 74% theory to him. When the population capacity reaches the critical 74% of the system, it is necessary to eliminate some people to keep the engine running, or kill, or create a rebellion. This is finding a plausible reason for one group of people to kill another group of people. The biggest flaw is who has the right to decide who is the slaughter and who is the slaughtered. Wilford told Curtis everything about him and Gilliam, and I'm not sure if this was a lie that Wilford was trying to bring down Curtis psychologically, or if it was true. But I'm more inclined to think that Wilford didn't lie. If they planned it, a lot of things would make sense, such as the red note. But it cannot be denied that perhaps Gilliam did not participate in Wilford's plan, and Gilliam's last words were just his performance as a not a complete revolutionist. Wilford wants to use Curtis to maintain 74% of the stability of the system, and it seems that he is really willing to use Curtis as his successor. Curtis, who was standing in front of the huge engine, seemed a little confused. Will the revolution continue? To break all this, or to compromise? Wilford gave him the last red note-train (train), And tell him: You have to keep the machine and let him keep working. He must lead the train, lead the human race, lead the world, it is his destiny. Just when he didn't know how to decide, with Yuna's help, he found Tanya's child Timmy, and he made a choice. Choose to blow up this place and escape into the vast world outside, although it is still covered with ice and snow. I think it was Timmy who reminded him of Edgar, the one who brutally murdered the mother of a child in order to survive. If he compromised now, it would be a repeat of what happened. And this is absolutely unacceptable to Curtis. Curtis jammed the gear with his hand and handed Yuna the match. Just when the engine failed and needed manual operation, Andy appeared, and he walked to the console like a puppet. Gilliam's last words were just a sign of him being not a complete revolutionist. Wilford wants to use Curtis to maintain 74% of the stability of the system, and it seems that he is really willing to use Curtis as his successor. Curtis, who was standing in front of the huge engine, seemed a little confused. Will the revolution continue? To break all this, or to compromise? Wilford gave him the last red note-train (train), And tell him: You have to keep the machine and let him keep working. He must lead the train, lead the human race, lead the world, it is his destiny. Just when he didn't know how to decide, with Yuna's help, he found Tanya's child Timmy, and he made a choice. Choose to blow up this place and escape into the vast world outside, although it is still covered with ice and snow. I think it was Timmy who reminded him of Edgar, the one who brutally murdered the mother of a child in order to survive. If he compromised now, it would be a repeat of what happened. And this is absolutely unacceptable to Curtis. Curtis jammed the gear with his hand and handed Yuna the match. Just when the engine failed and needed manual operation, Andy appeared, and he walked to the console like a puppet. Gilliam's last words were just a sign of him being not a complete revolutionist. Wilford wants to use Curtis to maintain 74% of the stability of the system, and it seems that he is really willing to use Curtis as his successor. Curtis, who was standing in front of the huge engine, seemed a little confused. Will the revolution continue? To break all this, or to compromise? Wilford gave him the last red note-train (train), And tell him: You have to keep the machine and let him keep working. He must lead the train, lead the human race, lead the world, it is his destiny. Just when he didn't know how to decide, with Yuna's help, he found Tanya's child Timmy, and he made a choice. Choose to blow up this place and escape into the vast world outside, although it is still covered with ice and snow. I think it was Timmy who reminded him of Edgar, the one who brutally murdered the mother of a child in order to survive. If he compromised now, it would be a repeat of what happened. And this is absolutely unacceptable to Curtis. Curtis jammed the gear with his hand and handed Yuna the match. Just when the engine failed and needed manual operation, Andy appeared, and he walked to the console like a puppet.
In the four-person hug, the train was blown up. The sound of the explosion caused an avalanche, and layers of white snow swept down in a destructive manner. The train eventually fell into the snow. Moments later, Yuna and Timmy, the only survivors, got out of the train. The director gave a close-up of Yuna's first foot that touched the snow, and the foot squeaked on the soft snow. Maybe it's the same as Armstrong's foot on the moon, this foot is new, is the beginning. Carrying too much life and giving too much meaning. A polar bear appears in the final shot, signaling that the spring of life has come. The movie also came to an end here.
Now what we need to explore is, as mentioned earlier, why so many people easily believe Wilford's system theory? The violinist, the chef Paul, and the kids Andy and Timmy, all of these got caught In the end, people who went there were brainwashed and turned into a screw in the system. If brainwashing is so easy, is the revolution also a kind of brainwashing? Director Feng Junhao said in an interview: "Snowpiercer is very obvious. A political film. People's lives are always within a certain system. In schools and in society, there is also a capitalist communist system. Snowpiercer is such a story, and it tells a story that can break through this limitation. Step back Go see it, it's a very cruel movie. People have a dual desire to be comfortable in the system and to break through the system. Actually, there are a few Che Guevara. The characters that appear in the film are shown. If there is a political undertone, it is." In my opinion, I like to compare it to George Orwell's 1984. Oceania is this train, the extreme cold outside is Eurasia and East Asia, and Wilford is Big Brother controlling everything. In fact, at the end, you should comment on a distinctive character in the play, but if you can go to the theater to watch this movie, you should have a more intuitive and comprehensive understanding. I've watched the movie twice and still have a few questions. First, was this revolution arranged by Wilford and Gilliam? Second, if it was the revolution arranged by Wilford, was the result foreseen by him? On the surface, it seems that the final development of the revolution has been Beyond his control, does it mean that he made a mistake in his judgment, and should he not choose Curtis as his successor? But in the end, it seems that getting out of the train should be the best choice for mankind, even though the road is full of blood. Back to our real world, do we need a complete revolution, do we need a revolution to the end? I think everyone has his own answer!
Stephen Chow repeatedly said a line in "The King of Comedy": Actually, I am an actor. I think if the film can speak, he will say: Actually, I am an art. So if you can make a movie with the devotion to an art, I will also watch the movie with the attitude of appreciating an art. Finally, I hope that China can produce more good movies, and I hope that we can stop exporting to domestic sales as soon as possible.
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