When the male pig first appeared on the stage, he was righteous and dignified, which made me mistakenly think that he was brave and invincible and played the role of Xiaoqiang. Later, when the old judge, who was suspected of being the villain, threw the case of Sleeping Head to him, my opinion was even firmer.
Of course, his later performance is not as cute as a more appropriate description.
Yan looks pretty good, because the picture effect looks like a boy pig with a very white face, similar to the fact that he has done nothing less to keep women and children in front of him in the face of danger, and it is common for him to roll his eyes when he is too frightened.
At the beginning, I thought it was a suspense drama, so I thought that I would only wait until the male pig's elixir flashed, took off the supernatural coat with both scientific hands, and shouted that there is only one truth with one hand on the psoas and one finger in the sky!
But this rotten child ran to find the witch, and I had an ominous premonition on a row of black lines on my forehead. Are all your gorgeous props just for viewing?
The first encounter between a male pig and a female pig was so bloody that there was nothing new. I can only sigh that this is the legendary ape dung that tried Bailing. Later, of course, they developed an adultery of Hong Guoguo.
But I still can't stand it, I can't stand it anymore, flip the table!
Why is the childhood sweetheart can only be used as cannon fodder and be photographed flying, and a random outsider can look at mung bean and meet his eyes?
I don't care if you tell stories like this once or twice, but it turns out that it's all like this. Isn't this driving Lao Tzu crazy!
When the Headless Horseman sprang out of the tree of the dead, I knew there was no such thing as suspense.
Later, when the stepmother patiently explained her crimes, I have to admit that the big director is not exempt.
I feel that the role of the stepmother is a little weak, and her motives lack a calm and powerful foreshadowing in the previous content except for the last few sentences of her own.
And the same goes for the other people involved in this incident, who were covered up too much at first, but in the end they were linked together with just a few words from the stepmother.
There are too many scenes surrounding the murder of the Headless Horseman, and the moment of knowing the truth does not make people feel relieved, but it means nothing more than that.
The horse-drawn carriage chase in the woods is the climax of the whole film.
A horse-drawn carriage chase at the end of the 18th century, thanks to the language of the camera, which is so tight that people can't breathe, seems to be the fierce confrontation of the 21st century shootout film.
At the end of the film, the male pig enters New York City with the female pig and the oil-trailer, and they are lost in the thriving, vibrant and brightly colored flow of people.
The male pig seems to be busy doing a lot of things. In fact, he did not make any substantial contribution to the confrontation with the Headless Horseman, but this is indeed a scene of a hero saving beauty, defeating the dragon and saving the princess~
The structure of the whole film is somewhat Loosely, it seems to be more like describing a legend of the image of the headless horseman in an ancient book, and it is not in a critical position for the behavior of the headless horseman.
When the male pig first heard the story of the Headless Horseman, he shook the cup in his hand humanely... as you can see.
I think the director's original intention was more willing to create this mysterious and depressing atmosphere, and then lay out his story in this unique world.
The director also does not want to create an American-style heroic male pig image. This legendary headless horseman, or this event, or this grotesque world, is the director's protagonist.
Tim Burton's works have always been absurd fairy tale colors, like to use gray tones, but the worldview in his works is never dark.
Only those with a bright heart can navigate this absurd world with ease.
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