representative genre films

Sophia 2022-04-19 09:01:19

Recently, Keanu Reeves has been super obsessed with Keanu Reeves, so he turned out this famous work: a police and gangster film of fighting wits and courage. The old beauty made such a classic work in 1994, so how can the film people in the country of porcelain today feel so bad?
Where does national confidence come from? Can our bus be free to open the bottom of the car for emergency evacuation? Do our office buildings have removable walls and easy access to elevator equipment? Can our media follow up on the scene of major accidents and realize interactive live broadcasts? It's a long way~
This is a representative genre film. After watching this, you can skip watching works of the same theme.
The fly in the ointment is also a flaw in the plot - the gangsters only extorted less than 2 million US dollars. Although the male pig defeated the gangsters in the end, the price was: a bus passenger and a team of special police were killed, a fighter jet exploded, a subway train scrapped. And the culprits died unexpectedly rather than being brought to justice. Obviously, the author did not grasp the scale of values, and points will be deducted for this.

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Extended Reading
  • Vicenta 2022-04-24 07:01:02

    High school organizes movies, and occasionally sees a real blockbuster

  • Dandre 2021-10-20 19:01:40

    Can be regarded as a classic in a blockbuster, Keanu is so handsome

Speed quotes

  • Harry Temple: What do you think?

    Jack: You're the expert, I just work here.

    Harry Temple: Looks pretty solid.

    Jack: Anyone we know?

    Harry Temple: I don't recognize the work, but he's pro.

    [checks watch]

    Harry Temple: Oh, he's cutting it close.

    Jack: I don't like it.

    Harry Temple: What's to like? Mac said we hold, so we hold.

    [Jack begins looking around; Harry thinks]

    Harry Temple: Alright, pop quiz. Airport, gunman with a hostage. He's using her for cover. He's almost to a plane. You're one hundred feet away.

    [Jack doesn't respond]

    Harry Temple: Jack?

    Jack: Shoot the hostage.

    Harry Temple: What?

    Jack: Take her out of the equation. Go for the good wound and he can't get to the plane with her. Clear shot.

    Harry Temple: You're deeply nuts, you know that? "Shoot the hostage."

    [chuckles]

    Jack: Harry, this is wrong. He's gonna blow it anyway.

    Harry Temple: Why?

    Jack: I don't know, gut feeling.

    Harry Temple: Yeah, well, right now Mac outranks your gut. So we sit.

    Jack: How much you think that elevator weights?

    Harry Temple: Jack, come on!

    Jack: Maybe we can do something about those hostages.

    Harry Temple: We're not gonna shoot em right?

  • Jack: Was it good for you?

    Harry Temple: It was great for me.

    Jack: Elevator dropped.

    Harry Temple: Oh, that's good to know.

    [both sit down]

    Jack: Is your watch slow?

    Harry Temple: No, no, he jumped the gun. We had three minutes left.

    Jack: Why's he do that? He's losing his three million.

    Harry Temple: I don't know maybe he couldn't hold his wad long enough. It's a common problem among middle-aged men. So I'm told.

    Jack: [gets up; realizing] He's here.

    Harry Temple: He could have blown that thing from Pacoima!

    Jack: No, he knew we were up to something. He's close by.

    Harry Temple: He's not gonna corner himself in a building. We evacuated anyways.

    [Jack looks disappointed]

    Harry Temple: Alright. He'd wanna be here but he'd wanna stay mobile. Right?

    [Jack nods]

    Harry Temple: The elevators.

    Jack: The passenger cars were stopped. They checked em out.

    Harry Temple: What about the freight elevators?