At first, the unique shooting angles of some shots always made me feel that a tragedy would happen suddenly (such as the scene where a few teenagers were throwing gears and kicking wooden boards in the villa), but the major changes were handled without traces (such as the mother’s 2 divorces) and The long and playful dialogue between the characters made me realize more and more that this is really another Linklater philosophical film.
In addition, I am not the only one who thinks that the male protagonist is super like the melancholy version of the widow sister when he was a child, right?
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