It is clear that the robbers are targeting Arthur Case's 392, but how they learned of its unknown past has not been explained. And it seems that the hole that has been dug doesn't seem to be of any use. Whether Dalton Russell finally hides in the original compartment, or they made it, if it is the latter, can't anyone see that the entire cabinet has moved forward. And finally, the sanctimonious theory of conscience, why only the diamonds are left, not the document. Wouldn't it be easier to find out the truth that way?
The climax of anticipation has never come, and the self-considered golden cicada escapes from the shell, which can't make people feel excited at all. From start to finish, there was little ups and downs in mood. Look all the way down, oh, it's started, oh, it's over.
Clive Owen's angular face is indeed more suitable for commercials, and most of the time masked performances also make many nympho girls shouting, so the director can give him a long close-up to meet the needs of the audience. understand.
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