Well, now the text begins.
"The Return of the Great Sage" and "Maleficent", which are currently on fire, are both adaptations of classic fairy tales or legends, and they are similar to a somewhat reversed plot. For example, in "Maleficent", the evil is the king, not Maleficent, "Maleficent". In The Return of the Great Sage, Monk Tang is a child. This kind of plot setting, which forms a huge contrast with the traditional, is no stranger to European and American audiences who have been baptized by Hollywood's classic narrative mode for many years, but such a common setting in "The Great Sage" has attracted widespread attention and discussion, and some people even think that It is creative, has ideas such as the rise of Chinese animation, and praises it. It seems that the Chinese animation industry will pay homage to the production model of "The Great Sage" and learn to imitate it. I feel that Chinese animation may go a similar path in the future. (It’s a bit like Chinese films in the past 20 or 30 years, driven by profit, from martial arts films to the tide of monster films on a large scale. Blindly pursuing novelty and weirdness)
On the contrary, the praise of “Maleficent” comes from its costume design, makeup Special effects, 3D scene design and more. Of course, there are women too! King! Big! people! overtake! Refined! color! of! play! Skill! and super! beautiful! of! Yan! value! (Allow me to be nympho....wipe my drool) By the way, actually....in the end...in my heart....this film....wins....its sex! Pick! Towards!
The kiss of true love lies between the queen and the little princess, although I don't think the little princess... um.... not worthy of the queen. And the crow is really cute~~~~
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