The Beauty of Detail in Violent Aesthetics

Letha 2022-04-21 09:01:19

! ! ! Crazy Amway a movie - "Face Change" [tears] [tears]

The work directed by John Woo in 1997 is too bad too bad

The theme is novel and the brain is wide open. The police enter the prison in order to get the location of the bomb and the big devil who killed his young son. Unexpectedly, the prisoner wakes up and changes to the face of the police and continues to go unpunished...

It involves family education, love, and various aspects of affairs. The portrayal is too vivid. The villain starts by singing Hallelujah and tying his own younger brother's shoelaces. This contrast kills me [tears] ][tears]

When the camera is switched, I always feel that the protagonist is too miserable, hahaha, and a classic expression pack is released [laughing]

I stunned me in the church fight, and the last battle was also very ? ?

In the end, it was a complete success. He [tears] won a young son

The two sides are also extremely artistic when they shoot each other behind the mirror in front of the mirror. I remember that sentence: when you stare at the abyss, the abyss is also staring at you.

Ah ah ah ah, let's go watch it [tears] The annual cool film! ! !

[At first, I always remembered the scene where the protagonist dances in a pulp novel, hahaha, good play, and the acting skills later made me give my knees [kneel] [kneel]]

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Extended Reading
  • Alexandria 2021-10-20 19:01:22

    Don't understand why there are so many praises. In my opinion, this is a work with a deliberate appearance and no connotation. The plot is too fake, and other things are ordinary Hollywood feelings. Putting aside the remarkable heroic qualities of the series, it is a very sincere work. In fact, I really don't like the so-called violent aesthetic director Wu Yusen.

  • Hayley 2021-10-20 19:01:23

    The strengths are brought to the pinnacle, and the shortcomings are pushed up by the screenwriters and actors. This is the strength of the Hollywood system. Cultural imperialism is a cow~ If Jiang Wen also went to Hollywood, would he break through himself, not just good, but great? It shouldn't be the same as the old Wu. PS: Wu Yusen at his peak exploded all Korean directors, including the current ones.

Face/Off quotes

  • Sean Archer: [over the phone with Victor] When we put this thing to bed, you can brand the fourth amendment on my butt.

  • [Troy and Archer see each other for the first time with each other's faces]

    Castor Troy: [grins] OOOEEEE, you're good lookin'! You're hot!

    [cocks his head]

    Castor Troy: It's like looking in a mirror, only not.

    Sean Archer: Troy?

    Castor Troy: Now that is between us. OK?

    Sean Archer: But you were, were, uh...

    Castor Troy: In a coma? Nothing like having your face cut off to disturb your sleep! Read the newspaper lately?

    [shows him a newspaper article headlined "Deadly Inferno at Walsh Institute"]

    Sean Archer: You killed them?

    Castor Troy: Yeah well, beats paying the bill, huh? I mean, come on, uh, if a face lift costs five grand...

    [shows Archer's wedding ring on his hand]

    Castor Troy: ... SEE ANYTHING YOU LIKE?

    [Cut to a shot of Miller, Dr. Walsh, and Tito, all bound and gagged, being doused with gasoline]

    Sean Archer: [feeling a lump forming in his throat] Tito!

    [In flashback, a hand drops a lit cigarette in a puddle of gasoline that quickly spreads towards the captives]

    Castor Troy: I torched all the evidence that proves you're you, okay? So, wow! Looks like you're going to be in here for THE NEXT HUNDRED YEARS! Now, I have got to go. I've got a government job to abuse and a lonely wife to fuck! Whoops did I just say that? I'm sorry... make love to! God, I miss that face!

    Sean Archer: [throws his hands around Castor's neck and tries to strangle him] DIIIIIIE! DIIIIIIIIIIIIIIIIIIIIIIIIE!