The impression of Princess Mononoke has always been that I don't know which year and which film festival Zeng Zhiwei said "Demon Spirit Public Action", but I have only watched it now. Indeed, as Hayao Miyazaki himself said, it is not an environmental theme movie. It is a reconciliation attempt of Japanese nature, belief and history. Almost everything under the skies of early Japanese history lurks like a ghost in Princess Mononoke. The prototype of the young Asuka in the secluded village on the eastern edge is obviously the Ainori tribe that was forced to retreat by the Yamato clan; behind the wandering monk who wants the head of the unicorn and the control/elimination of Huanji is the public family of the old world of the He clan/Western Kingdom And the royal family; Asano, who attacked Tata City, is very similar to those old-fashioned warriors from the Western Kingdom who are closely related to the royal family; and Genji Tata naturally has no space in Kansai and has to go to Kanto to fight the left and right to fight against Ezo. The early colonizers of Wulu and Lanluo are the predecessors of the Wujia family in Kanto. The Kirin beast site, where the creatures have been in a mess, is the broken basin of mountains, mountains, lakes and streams between Kansai and Kanto. ; Considering the creation of the animist myth in Japan, the deity of the Kirin beast should be the ancestor Yuanshen with both compassion and anger, and the trinity of nature/natural deity/ethnic origin. where the foundation lies. Of course Hayao Miyazaki is not talking about protecting the environment, just like they insist that whaling is not for scientific research at all. His sympathy for the growth of the nation's colonization and his opposition to its destructive power are contradictory, so much so that he fantasizes that he will rely on the more native and more native Ainu teenagers who have been oppressed and assimilated by the tribe as the savior of reconciliation. The life experience of Princess Mononoke's abandoned baby symbolizes the conscience lost by the clan, and her fate of being adopted by the gods of nature means to remind the clan not to forget their origin and true nature. Hisaishi Joe completely understands Princess Mononoke's destiny. This kind of calm and overly solemn rhythm and Shen Xiong's deep and slightly exaggerated epic melody have only been heard in Princess Mononoke and Sakagami Cloud. Lastly, if a live-action version is to be made, the male protagonist will of course be the young Abe Hiroshi, the sullen Ezo man like a pine forest.
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