"The Mechanic" actually found a little resonance in it. Although it can't prove that I also have severe personality splitting, but in terms of the exaggerated ratio of film art and real life itself, the reality of the magnified image can be refracted back, so so That said, I'm also half neurotic.
The tone of the film is very, very single, especially the first half, which is almost all black and gray, and there are a lot of shadows. This kind of ghost movie has a background background, and it really lived up to expectations and spawned a half-human, half-ghost male protagonist. I have to admire Christian's acting skills and professionalism. It can be seen that he has lost weight to the point of collapse for this role, and the lack of spirit and emptiness in his eyes is also unbelievable. This is actually part of his acting skills.
The movie is nothing but a murderer's murderous memories and self-torture. But the chaos of time and space makes "The Mechanic" add a suspenseful effect. From discovery, anger, doubt, to fear and redemption, the male protagonist constantly combines fantasy and reality. He swayed his unwarranted emotions in his real life, so he kept hitting the wall and constantly questioning. As everything around him becomes covetous, and as the mystery of the photo is slowly torn apart, the two personalities of the male protagonist are constantly asking and answering their own questions.
"What did you do to Nicholas?"
"You knew he was dead."
Don't talk about age, just look at it. There are indeed a lot of split personality themes, such as "The Strange Tenant" and "The Sixth Sense", as well as this "The Mechanic". This ending reveals the mystery of the whole film. The film indeed enriches the library of split personality themes. But I have to say, before "this theme again" was not told to the audience, it was really scary to watch.
View more about The Machinist reviews
