Dedicated to HGW XX/7

Rosemarie 2022-04-21 09:01:21

When I saw the last scene, I couldn't help but feel a lot of emotion. One four years, another two, another two years, another two years, the former high-ranking agents were reduced to manual laborers, just for the one who never knew. The last line of words on the title page - I would like to dedicate this to HGW XX/7, which finally made all the viewers feel high for him.

Actually, we all know how this will play out. From the first time he watched their drama, from his unblinking stare, from his stoic fascination, we all knew how this would play out.
Watching his concentration when he reads his poems, watching his tears when he listens to his playing the piano, we all know how this will play out. Surely he would hide reports against them, he would surely prevent his wife from going on that dirty date, he would write false wiretap records every day, and he would remove the deadly typewriter before the army came.
We all knew it was going to happen, but we were still moved.

It was indescribable heartache to see him sitting in the dark underground, unpacking letters, and becoming the lowest member of the secret service. He still looked calm. Sitting behind him was a young man who had made a joke in the dining hall and was destroyed by a high-pressure tyranny for a joke. They heard the Berlin Wall came down.

Every day in early autumn and September is blue The
young , tall trees stretch up and
grow like love The beautiful and clean sky above
us
A cloud moves slowly
It is so white and flawless
And if you believe
it will always be by your side

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Extended Reading

The Lives of Others quotes

  • Georg Dreyman: The state office for statistics on Hans-Beimler street counts everything; knows everything: how many pairs of shoes I buy a year: 2.3, how many books I read a year: 3.2 and how many students graduate with perfect marks: 6,347. But there's one statistic that isn't collected there, perhaps because such numbers cause even paper-pushers pain: and that is the suicide rate.

  • Hauptmann Gerd Wiesler: Madam?

    Christa-Maria Sieland: Go away. I want to be alone.

    Hauptmann Gerd Wiesler: Madam Sieland?

    Christa-Maria Sieland: Do we know each other?

    Hauptmann Gerd Wiesler: You don't know me, but I know you. Many people love you for who you are.

    Christa-Maria Sieland: Actors are never "who they are."

    Hauptmann Gerd Wiesler: You are. I've seen you on stage. You were more who you are than you are now.

    Christa-Maria Sieland: So you know what I'm like.

    Hauptmann Gerd Wiesler: I'm your audience.

    Christa-Maria Sieland: I have to go.

    Hauptmann Gerd Wiesler: Where to?

    Christa-Maria Sieland: I'm meeting an old classmate. I...

    Hauptmann Gerd Wiesler: You see? Just now, you weren't being yourself.

    Christa-Maria Sieland: No?

    Hauptmann Gerd Wiesler: No.

    Christa-Maria Sieland: So you know her well, this Christa-Maria Sieland. What do you think - would she hurt someone who loves her above all else? Would she sell herself for art?

    Hauptmann Gerd Wiesler: For art? You already have art. That'd be a bad deal. You are a great artist. Don't you know that?

    Christa-Maria Sieland: And you are a good man.