You can count the movies that you watched on Monday, people in the theater can count them on one hand, but you still hear one after another exclamations while watching, including mine, of course. There is not a single minute that makes you stop the adrenaline from beginning to end, Not only is the picture shocking, but the story is also well-sounded. It's not as cool as "Deadly Violet" and has no plot. Coupled with Julie's peerless beauty, it is unlikely to be unhappy. At the
beginning of the film, the face is full of freckles . The male protagonist endured the monotonous and boring office life, and the female supervisor, whose flesh would tremble when she spoke, pushed the protagonist to the brink of collapse again and again with just a stapler. At this time, the audience may still be very relaxed I'm joking, after just a few shots, the material is like a pot blasting into the audience: headshots out of the building, and slow down the camera at a very long distance (the carved bullet decomposition lens is too much. Pretty...), and soon, Julie's sexy debut, amazing way to get on the train, fresh and exciting training in the organization, FUCK YOU spelled out with keyboard buttons, the first success of throwing an arc ballistic, the battle on the train , The revelation of the truth, the melee in the textile factory, the last sniping, the film can not be released to push the sensory stimulation to a climax, the perfect combination of slow motion and heavy metal, the shooting scenes are carved so beautifully and gorgeously, as if shooting is no longer a murder The method is not just a technical work, but almost a kind of art, which is amazing and suffocating.
Of course, the film does not only think about how to be cool, the plot has its own complete accommodation and expression space, so as not to let these senses stimulate It seems empty and redundant, mysterious sects, fate loom, conspiracy, secrets, betrayal, revenge, if these keywords and elements are not supported by those gorgeous gun battles, but only focus on storytelling, I believe it is also a good movie. In the film, the sensory stimulation has largely squeezed the audience's attention to the content of the film, which is also the result of not having both. , this article still has some stories.
From the very beginning of the story, the protagonist wants to avenge his father and clean up the portal, to find that he has been used by the organization in the middle, and the person he wants to kill is his father, and finally the leader of the organization tells the truth. The machine finally weaved the names of all the people, implying that this organization has completed its historical mission, and it is time to disappear, but the head of the organization does not want to accept the arrangement of fate like Julie, surrender to fate, and does not want to be at the mercy of fate. , trying to reverse their fate. But if those who have been implied by the loom are to be punished by fate, as they believed when they joined the organization, then they themselves will one day be punished by fate, because God is not necessarily forever Choosing them as their spokespersons, maybe God got tired of using the loom to convey his will, and switched to e-mail. The result of being unpopular is so helpless. As Sloan said when he first showed the protagonist the loom of destiny, We're just executing it, not deciphering it. After all, trying to fight God is not something a mere mortal can easily do. Of course, some people say that the loom caters to the ancient Greek tradition of the three goddesses of fate tying wool, and there are probably several that do. As for the machine, he wanted to joke, and everyone had to suffer.
At the end of the film, after the protagonist successfully sniped his own destiny, he turned his head and said to the audience "what have you been fucking doing lately". There was a burst of laughter around the theater, Then I suddenly felt that I had been shopping outside for too long today, so I hurried home to read a book...
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