The first thing I felt after watching the movie was that I thought of a senior brother of mine who was studying urban planning (I did joke with him that night, but didn't mention the movie), and I really want to ask those who read urban planning and engage in real estate construction, Do you really want to have a BadAss in the city you want to build or plan to build, and then you can come to a team of fast 7 people, and then dong dong dong dong, da da da da, do nothing, the village in the city is gone , don't worry about the nail house, half of the city is directly rebuilt in ruins, that would be great.
But my point is definitely not this. I think the movie is funny. In fact, it's not because of the funny thing placed in the movie. The funny thing is that the whole film has no logic and science at all. Nima, you took a long time to destroy a team of others, grab an IT female elite, and restore the Tianyan system, and then the Tianyan system can check the BadAss, so It seems that all this is to catch the Bad Ass, but,
isn't the Bad Ass chasing you all the time? Wouldn't it be better to wait for him to show up?
Also, can't the Inspector just beat Bad Ass to death when he says "wait a second" at the beginning? You have to talk so much nonsense, don't you know that people who talk a lot of nonsense before starting work usually get beaten up? Isn't this movie common sense?
Also, the dozen or so of you are all equipped and you have already gone to the warehouse where they are hiding. They are just having breakfast, and you have all pointed your guns at them. Why are you talking so much nonsense! Wouldn't it be nice to slam him to death?
Well, why did the protagonist and BadAss run into each other with cars! Get out of the car and do it well, can't you? Shouldn't the gun slam to kill him at the very beginning when he does the last job, what's the logic behind that iron bar, you have to use it to do it? Aren't you working so hard to get rid of him quickly?
Well, I'm starting to understand the devotion that I have to have to make a movie for the sake of making a movie, even though the script is illogical and it can't be made.
but,
Why do you want to blow up other people's hospitals to see a doctor? You really love your brother so much!
Why is it that there is a bomb in the package, but why does the explosion first blow the box slightly, and then start to blow out from the house?
Why does the car fly again and again? You can even do some flips!
Why do people fall from several stories high and die?
Why does the car roll off the cliff and people are not damaged at all?
Why did people fall into the rubble without dying, as if there were no sequelae at all?
Why can people drop packets from car to car faster than a drone's missile?
Why is it that the best way to rescue people who are not breathing is not artificial respiration, but to wake up by hugging and saying "I remember those things from the past!"?
Repeatedly deviating from the basic common sense of life, it really made me laugh time and time again, my head hurts a little, you are really serious and funny, if it is a film made in China, such an arrangement will simply be rejected Sprayed to death (said as if I didn't spray now).
In the end, if Paul hadn't died in real life, would this ending really be a cry? And those in the middle who have lost their memory and then want to separate and find themselves, don't you really think it's hypocritical?
However, compared to watching Wang Baoqiang's signature and vulgar laughter in the preview of other movies at the beginning, and the three or four clips that talk about the bad things of youth, I still think that the funny ratio of Super Seven Miles is better. At least just stupid and cowardly.
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