Although the first one has Brando's version of the movie "Tang", I still like the third one the most. One of the reasons is probably that this one has a fresh plot that can't be seen in the book at all, otherwise the plot will repeat for nearly three hours. It's a test of my patience too... And I finally got Pacino's acting skills! Sure enough, a king-like character is not enough to show his prestige unless he is late. It's also possible that I'm a woman after all. This film depicts Michael's inner world and family feelings more (although the confession with the priest is quite ridiculous), and the female character Connie is also more sober and serious than the previous two films, so it is more capable. Impress me. . . Before the director started shooting, he was determined to let Michael have a bad end, so the loss of his beloved, the silent scream, and the lonely death in the courtyard can only be the most touching ending for the second generation of godfathers. Is there anything more painful than forcing myself to forget my original intention to become "Don Corleone" for the sake of my family and finally lose all my family. . I really love the last scene, the hand that suddenly falls powerless in the dimly lit shot, the orange falling to the ground, and the dog that can't be hovered beside his feet. You always have to pay something for your grab, so that we can put a meaningful and beautiful end to the story. "People love your high-spirited debut, but I only love your bleak evening in your twilight years."
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