complete and beautiful, Reivew on The Godfather: Part III

In fact, my favorite is that the three films are always the same group of people, and the three films are interspersed and echoed with each other, the same music, the same scene, the same style, and the whole seems to be completed in one go. Especially when you see that when Mike takes out Anthony's paintings, you will feel that all this is carefully arranged, and even all of this may be true. Seeing that they are all old in the third part, there is a natural resonance, which makes people integrate into it from the heart and sigh the fate of the characters. You will feel that I watched them grow up and watch them come step by step. of. This is really a rare good start and a good end, which makes people linger.

Each of these three films brings vivid images of Italians, horrific mafia men, but warm, lovable, traditional, family-friendly, and warm, in stark contrast to the ruthless nature of the mafia. Then there is the contrast between the holiness of those religions and the darkness of sin. Vito's first murder was a religious festival, Mike's clean-up of the five families was also synchronized with a religious ceremony, and finally the opera starring Anthony was also related to religion.

The end is in Sicily, indicating a return to tradition. Although it was born in the United States, it still has a strong Italian brand. The last godfather also crashed to the ground in the sun. Although he had been bloody and stormy, he was still the lonely old man sitting in the sun in the end. Like the big guy killed by young vito, dazzled, sitting in the yard and basking in the sun, or like vito in the yard and his grandson crazy and suddenly fell down, no one pays attention. . .

Anyway, after watching Godfather, I went to eat Italian food.

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