Great, got me thinking a bit

Josiane 2022-04-20 09:01:07

It's really wonderful. There are stand-in stalks, wife-killing stalks, and stand-ins fall in love with the male protagonist... The film and television novels in this era are also tried and tested. I can't help but think, what exactly does the male protagonist love? When the male protagonist follows the female protagonist, the picture is foggy, like a dream. The male protagonist loves the character Carlotta, the real person of Carlotta, so he said it was too late, and there was no chance.

However, the male protagonist also has problems. When he falls in love with his friend's wife, he should restrain himself no matter what. This may be the difference between domestic and foreign cultures. The male protagonist overcame his fear of heights but also indirectly killed the stand-in, so it was inevitable that he would end up in prison.

If the male protagonist really just loves the character of Carlotta, no matter what, he can't be replaced by others, with the same appearance and different behavior, wouldn't he hate her because she is a fake? Can you be intimate?

What is the best ending? Will the avatar continue to act as a character? keep playing? Not to mention that it is unfair to the substitute, it is also an insult to the original.

What does the heroine love about the hero? For the sake of a love that belongs to others, it is incomprehensible for me to pretend to be someone else. With this skill, I can find someone who truly loves me. Is it difficult for the male protagonist to fall in love with a substitute without the appearance of the substitute? Does the substitute fall in love with the male protagonist without appearance and money? If the appearance of the substitute is not beautiful and is an old woman, I don't believe that the male protagonist will still be fond of it. vice versa.

In such a situation, the best way is to refuse the male lead's request to assimilate her when the substitute meets the male protagonist again, and the male protagonist will keep following her for at least a short period of time because of the appearance of the substitute, looking for opportunities and substitutes. get along. Only then can there be a chance to fall in love.

The male protagonist himself said that few people have a second chance. What is this second chance? A second chance to keep up with the tall buildings to save Carlotta? But he indirectly killed "Carlotta", and Carlotta was killed before he went upstairs and did not need his rescue, which is a false proposition.

His back behavior is just to overcome his fear of heights? This is probably possible. But there is another point. It is unacceptable even if you stick your head out of the window for a real fear of heights. You will feel dizzy when you stick out the window. Furthermore, the fear of heights does not mean that you cannot go to the top floor, but you can't look down when you go to the top floor... Before I'm slightly afraid of heights and I can still talk about this.

Carlotta didn't die because of his fear of heights. Even love was his wishful thinking. If it was real Carlotta, they didn't even meet at the beginning, and they might even be rejected at the beginning.

The male protagonist is just a poor person living in his own imagination. Even if he falls in love with the male protagonist, he should not agree to play someone else. Is there really a love that must be "someone" in reality? What is love? another me? different self? Yourself at that time? Beautiful memories that can't go back? Or fall in love with the other person? Or is it just because it's familiar and just the right fit?

There is no substitute and the appearance of the male protagonist, how can it be possible to fall in love soon after the beginning? If both of them are ordinary in appearance, assuming that the male protagonist only loves characters, then when she realizes that she is not alone, she should end herself. This unconditional love. I really don't know what the female protagonist loves the male protagonist, is it also a character design? Then I think it can be seen from afar and not played close. If you love someone who doesn't love yourself, why bother, people who exist in your imagination are always beautiful. Not being together will also break your beautiful fantasy. It is the best choice to stay in the bottom of your heart silently in love and be your truest self.

In this way, the so-called "substitute is me" does not fit the story. Apart from her appearance, the person she substitutes for is not herself at all, but another person.

If it was about love, it would be too false. It would be better to say accepting and acting as a substitute for appearance, money, and power, which left me speechless.

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Extended Reading
  • Rowan 2021-10-20 19:01:06

    Infinite possibilities in the last 8 minutes

  • Liana 2022-03-23 09:01:09

    95/100, the text has reached its peak. From the beginning, it has been relying on the line of sight to formulate the conditions for advancing the story. The sense of suspense has been lingering, and the image energy has continued to flow. The ultimate theme of the film is "desire". In a complete murder plan, "love" becomes a destructive factor. A large number of subjective shots in the first half show the desire to "snoop" and complete the reversal of perspective after the death event. The first appearance of the Bell Tower play Dolly Zoom is a monument in film history. The lens exudes rich colors, the swirling vertigo sensory experience, the magnificent part of the dream, and the accurate soundtrack. The absurd ending was unexpected and extremely impactful. Completely conquered by Hitchcock! //2019.10.30 The author's film class revisited. There is no doubt that one of the greatest movies in the history of film, the top ten private film history.

Vertigo quotes

  • Scottie: [to Judy, after being taken to the scene of Madeline's death] No, no. I have to tell you about Madeleine now. Right there.

    [Pointing]

    Scottie: We stood there and I kissed her for the last time, and she said, 'If you lose me you'll know that I loved you and wanted to keep on loving you.' And I said, 'I won't lose you.' But I did.

    [pause]

    Scottie: And then she turned and ran into the church. I tried to follow, but it was too late.

  • Midge: You want to know something? I don't think Mozart's going to help at all.