Very simple beginning, but the story is very clear, the prostitutes have been trampled on their dignity and want revenge to achieve justice. At the same time, it narrates a Westinghouse cowboy who is getting older and has returned to his prodigal son, and his poor but relatively peaceful life. Because of revenge, the stories between them are likely to be connected. The madness of the western landscape is mixed with tranquility and serenity, and at the same time contains murderous aura.
Reminds me of an old Chinese saying that people die for wealth and birds die for food. This is the law of survival.
Conversation in prison is very interesting, not only faster than who's gun, but also more calm and calm than who. When everyone narrates himself, he is full of romantic fantasies, and the difference between here and there shows the ridiculousness of human nature.
Until the last moment, this is an anti-genre, anti-Western cowboy movie, completely stripped of pride and romance, and confronted with the mud of cruelty, fear, and life. The motives of the characters' pursuit of money are love, love for their children, loyalty to their wives, and the final revenge massacre is for great friendship.
Interesting text, western myth and western reality. What you hear is not necessarily true, but it is not entirely unfounded.
Such a simple story can capture such a human connotation. It is thought-provoking, intriguing, and yet exciting. It's a really good film.
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