Shui Bo Yan's dream starts too much to the point where the heroine gets up and goes about her daily life. The slightly gloomy and delicate tone is my dish. When the painter opened the refrigerator, there were lemon pie in it, and inexplicably thought of "Amelie". As soon as the water beast appeared, he immediately thought of "Pan's Labyrinth". It turned out that it was the same director, and the aesthetic style was consistent. Black female workers mentioned that mute women were abandoned by the water. A lingering underwater, no matter how you look at it, it is a story full of eroticism. The female co-worker was chattering about trivial matters with her husband. I thought it was just an imagination, but I didn't expect it to actually appear in the end. At the table, the hostess's gesture of hesitating to speak, the lights dimmed, the dumb girl started singing, the two danced together, and the hasty gesture of returning to the table was a stroke of genius. Music is nice. Cinema settings and many shots that pay homage to old movies. Both the heroine and the male acted well. The story is nothing new.
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