I don't understand the Oscars, Reivew on The Shape of Water

I watched "The Shape of Water" last night, and I couldn't watch it after only half of it. I felt sick when I saw it. I really don't understand what's going on in Hollywood now. As an ordinary person, shouldn't it be fearful to see a monster at a glance? Then after getting familiar with it, you may feel that you still look a bit like a person, try to communicate? What is the logic of falling in love at a glance? As a researcher, if you want to gain effective information, the worst way is to ask questions, okay? Examination is the most unprofitable method of obtaining information. What is the logic of the examination as soon as it comes up? Still want to kill the autopsy at every turn, isn't the sample precious? Still want to do research? The heroine masturbates in the bathtub every morning (the countdown is still limited, take it! In the future, Dongguan IOS can learn from it, and there is no cool substitution when the timer expires.) What does it mean? What does it have to do with the plot? Just to satisfy a good (tou) odd (kui) strong (yu) audience like me, forcibly ripped off the heroine? Or do you fall in love with monsters at first sight because of a strange fetish caused by chronic sexual thirst? Or because she is a woman, she must have the halo of the Virgin and must be unsympathetic? The lighting is beautiful and the special effects are good, but shouldn't the core of the movie be the story? With this scriptwriting method, the rationality of the story has been completely abandoned. How can the audience be involved in the play and how can the audience resonate? Or is it that I can't keep up with the times, and the audience now doesn't care about these at all, and only looks at the special effects?

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