After all, everyone likes to watch people dream and justify the heresy, so Alice is encouraged to have absurd dreams. It's a pity that this dream was a bit mundane. The story ends abruptly but redundantly, making little sense - rendering meaning should not have been Tim Burton's thrust. I originally expected a fairyland with bolder imagination, but in the end it really turned into a story for children, with a little bit of gaudy and obscure cover up. If it is really a simple story like Avatar, it will be fine. As a result, Shengsheng will interpret a casually swayed story in a restrained and traditional way. Why do you have to find a monster to kill? Want to satisfy the collective unconscious of the savior?
The 3D effect is still great, and the image design is also worthy of praise. Regardless of the plot, the actors are all excellent. Jonny Depp is so dazzling and dazzling. He always features Hatter's delicate feelings, expectations, surprises, happiness, subtle love and affection, and finally sadness. That face is not pretty, but has an absolutely gripping look.
The original work is almost a random imagination. After years of circulation, many symbols have become symbols, but the film does not try to express these symbols, but it can't get rid of them, which is a bit embarrassing. What makes people excited is probably the contrast between reality and fantasy: the dictatorial Queen of Hearts in fairyland, the dictatorial mother-in-law in reality; a pair of fat children in fairyland, twin sisters in reality; the knight who has no morals in fairyland, The husband who betrayed his wife in reality; the white queen who is kind and innocent in fairyland, who is just as innocent in reality but lacks the smart sister; and Hatter and father who protect Alice. Dreams still cannot escape the same obstacles as reality, but dreams can only awaken people in the so-called "reality", and they have to rely on dreams to give themselves strength in reality. Which of the two is more tragic? Maybe the dream is the opposite of what the reality was imagined before, so what? This story is the same from whichever side it is viewed. It is like looking in a mirror. Even if you know one side is true and the other is false, it has an indistinguishable face.
Cao Xueqin pointed it out nearly 200 years ago, "When the false becomes the true, the true is also false." Edward also went to a dream-like place where the steel world he was familiar with was parallel to Germany. In countless people's writings, madness is the norm, the so-called Normalcy is just the result of distortion. So, do those who are not tolerated by the world hold the truth, or are they pitied and envied simply because they have the immunity of being arrogant and arrogant? True and false, reality and fantasy gradually melt into a gray.
It is worth noting why the woman who has changed her mind and returned to "normal" and "dealing with the funeral" is always a mature woman - Wendy in Peter Pan and Alice today almost echo. Society's expectations for women, no matter how gloomy, still go through Bildungsroman to draw a circle and return to the right track of reality, and men can stay in the world of Pandora and become the Avatar he likes.
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