A good movie is not limited by time and the survival of the fittest by technology, just like "Chainsaw 1" produced in 2004, no matter how mature the technology, psychological crime films are, no matter how blurred the picture is, the characters are old, and the answers are well-known, Once re-watched, it can be used in impetuous occasions, supplemented by blood and soundtrack, with suspense as the main focus. Within 5 minutes, it will focus my distracted attention and bring me back to the amazing moment of applauding when I watched it for the first time——
In filthy cramped enclosures, rotting tiles, crumbling skylights, rusted bathtubs, nauseating toilets smeared with feces and urine, empty underground parking lots, narrow alleys, dark blackout rooms, only smell The masked killer of his voice threw away the death warrant of "most people are alive without gratitude", and used alternative killing equipment-a device that "permanently ripped" people's mouths, barbed wire, candles, poison cigarettes, electric The bloody American thriller modes such as saw will stimulate your senses one after another, but the real violence of "Chainsaw" is not these external violence, but in a confined space, the desire to survive will put you in a civilized society The kindness and the emergency tactics of joint resistance when dealing with conspiracies are completely overturned. Once you are locked in shackles, you must follow the rules of hell and open up the dark side of your heart-either he dies or you die.
The most ingenious thing about the story is that it revolves around two seemingly unrelated people, the elite doctor Lawrence, who is calm and can always use rational thinking to find a solution to the problem, and the other is the irascible private detective Adam. After trying multiple methods and failing, the identities of the two were revealed one after another. Adam was a private detective hired by Lawrence's wife to secretly photograph Lawrence's derailment evidence.
In the progress of the movie, I always worry that Lawrence will kill Adam in exchange for his own freedom, because people can try to control themselves, but no one has absolute certainty to control others, especially when interests and contradictions are extremely prominent. Ushered in my favorite first reversal, Lawrence did not kill the killer, but let Adam play a play with him, but it did not succeed. The second twist is another part of the story. Lawrence's wife and daughter were kidnapped by hospital guards, and the black police intervened, but they were killed. Finally, the phone was called, and Lawrence, who had always been rational, learned about the situation of his wife and daughter. The infinite panic about the situation of his family made him lose his sense. He began to follow the rules, sawing off his own feet, the blood bursting, the paleness of blood loss and witnessing it with his own eyes. Adam's screeching made the movie enter the final reversal, which is also the most exciting part - the corpse lying in the pool of blood slowly stood up and said in a contemptuous and sincere manner [Many people don't know how to cherish, but it's not you . Not you anymore. 】When the ultimate big boss Jigsaw, said "game over" in an understatement, the psychological shock also reached its peak. It turned out that the caregiver was just a gamer, and he was risking his life to save his own life. , he is also a victim, the commander behind the scenes is actually the "dead" who has never moved Being "looked" in his eyes, like a mouse played by a cat, everything is in control, and the moment you look at is always thinking - maybe, when you throw your life away and regard death as a distant future, death is already there. Ambush around you, design you, take your life.
The violent means of violence and the conspiracy design revealed one after another are the success of this film, but the starting point of the murder of Jigsaw's [most people are not grateful to live], can't help but remind me of "David." released in the same year. Gore's Life", used his own sentence to be sentenced to death to oppose the great dedication of the death penalty. Both films tried to stand in a perspective to expose the selfishness of human nature, and when faced with the rules of death, people abandoned "civilization". To live and die, but just like "The Life of David Gore", it violates what I insist - [No one can judge people in place of God, even if the dagger is handed over to someone else to decide life and death. ], I don't like extreme "save".
The first one, regardless of the bloody restraint, throws out contradictions, exposes conspiracies, reverses the design, and music is a must-see classic, recommended.
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