The film is very good and very postmodern

The film is very good and very postmodern. It is a gradually marginalized community culture in New York (Harlem District or Harlem District). Faced with being levelled by real estate tycoons, the spontaneous self-rescue behavior started from accidents and was out of control. Rethinking its own cultural traditions Harlem in the 1930s was the art center of New York at that time, especially when represented by the rise of black jazz (represented by jazz masters in the film) and the emergence of a large number of black poets, it was called Harlem "Renaissance" ". At that time, as in the black-and-white documentary in the film, many high-level figures in New York came here to listen to music and drama on weekends.
The content of Harlem’s "Renaissance" can be summarized in two points: 1. As the consciousness and national self-esteem of blacks have greatly improved, some black young intellectuals have begun to re-evaluate their artistic and creative talents, and demand to be in literature. The image of the "new black" is created in art-a new image with independent personality and rebellious spirit that is different from the uncle Tom, who is submissive; 2. There have been extensive discussions on "is it art or propaganda" in the press. Most All writers believe that the artistic expression ability of black literary works must be strengthened. Alan Rock, the main leader of this movement, once said: “Beauty is the best pastor, and hymns are more effective than preaching.” As a result, some black writers went to extremes in the movement and embarked on “art for the sake of art”. Road; there are also a few writers who emphasize the characteristics of "black art" and use naturalistic brushwork to promote the "special sentiment" life of blacks in Harlem. They are called the Harlem school. The Harlem Renaissance raised the level of black literature and art, and a number of outstanding poets and novelists emerged from it, which had a profound impact on promoting the development of black cultural undertakings and enhancing the self-esteem of the black nation.
In the end, the protagonist of the film (that is, whitewashing the video tape after an electric shock) seems to be an independent filmmaker. American movies are beautiful with such talents. I have seen some movies made by him. After the closing subtitles are finished, there will be his website.
The film is actually a play in play. Their own version subverted the classics (the significance of postmodernism lies here), so they won a lot of praise. At the end, the heroine of "Ghostbusters" appears, which is like a symbol to redefine the unshakable status of the original (orthodox). Explain that the historical fact itself is not important, the key is to do with it. Finding the result of oneself cannot change the fate of being eradicated by commercial interests, but the memory of culture cannot be eradicated by any force. Isn't Beijing an enlarged version of this community? While speculating about the cultural concepts of their real estate, real estate developers used bulldozers to eradicate local culture, and they wished to blow up the city and rebuild houses. Who really cares what the people in the hutong think?

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