Movies are a mirror of that era, a transitional period from muscle action movies to meaty action movies. Die Hard is cleverly inserted to fill the gap in the genre.
A grassroots policeman with flawed personality and marital problems. His appearance is not good, and his figure is not the muscular type of a hero. He is always covered with scars in fights, and he complains constantly even at work. But always stand up for your family and responsibilities.
The feature of this series is to portray characters from the standpoint of small people. There are times when people at the bottom make mistakes and when they are cute, and a small pattern has a big responsibility. In this way, it satirizes the aggressiveness of the media, the arrogance of the bureaucracy and the rigidity of the system. Each movie will always have a few self-righteous high-level people to portray their vanity, arrogance and stupidity. The first one arranges two FBI idiots, one black and one white, to despise the local police, and the third one directly arranges two White House NSA executives, one black and one white, to despise the cybersecurity director. The highest level is the most powerful shit stick in the series.
In order to hold the audience's heart and subtly portray the supporting roles, each except the fifth has a flawed partner and the protagonist gags.
Simply record your viewing notes. It can only be said that the action films of that era did not forget to intersperse the satire of the society in addition to the sensory stimulation. Textbook-like works.
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