Indeed, after watching it, I found that there are indeed very few big scenes. The director and screenwriter guessed that he wanted to make the film more "humanized", and the whole story should be interpreted from a human perspective as much as possible. Unfortunately, the three words "Godzilla" are A synonym for "big scene", otherwise this monster wouldn't have to be so huge. It would be nice to have a slightly larger number of big scenes, such as adding Godzilla's graceful figure swimming in the water.
The actors in this film can really be divided into three, six and nine, maybe because the plot needs it. Uncle Watanabe can now act in "The White-Haired Girl", with Yang Bailao's expression throughout. Lao Bai's acting skills are a few streets ahead of other people's. I was dumbfounded when I pulled the pockets. It turned out that the lunch box was so early.
The avatar of Godzilla is very in line with the trend of entertainment consumption, from destroying human beings at the beginning to protecting human beings in the later stage, and can also breathe fire, which is indeed much stronger than those two parasites. In film and television works, the marriage between Japan and nuclear weapons is like Germany and the Nazis. The elements of World War II will affect at least a hundred years. The setting of eating nuclear energy as fried dough sticks is very easy, and even more so with electromagnetic pulses. Don’t modern military weapons have anti-electromagnetic pulse settings?
Finally, doesn't Time Warner have the DC copyright? I expect Superman to fight against Godzilla, and Superman looks at Godzilla in the air with a sense~
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